A generative patch for creating euclidian beats.

Small fix, including a missed label on one of the remotes.

This is an emulation of the string sounds heard on the Oxygene and Equinoxe albums by Jean-Michel Jarre.

This is my second attempt of emulating the signature string sound of the Eminent 310 Unique made famous by Jean-Michel Jarre. Please read the note in the Poly Grid patch. Suggestions and comments are very welcome.

Made for MSEG-Police in the Bitwig Discord channel. This is revision 1; released 2024-11-05:

This one is for you <@1109221186124140594> . More information is written inside a comment module.

My additive sine organ built wholly in the Grid.

This is still kind of a work in progress but I really like the sounds I"m getting out of it. Aiming for a slightly wonky transistor organ sound.

Generate sequences from subdivisions and probability

<@1198458954175500360> here's that thingy

Eminent 310U String Ensemble + Electro-Harmonix Small Stone. A classic combo heard on the Oxygéne (1976) and Equinoxe (1978) albums by Jean Michel Jarre. The Release stage on the AR envelope emulates the "Reverberation" slider found on the original.

This patch attempts to emulate the sound of a special string machine that Jean Michel Jarre used on Oxygène (1976) and Equinoxe (1978). I encourage you to examine the ensemble chorus section. If you come up with a better or more efficient implementation, I'd love to see it!

Metronome with selectable sounds, shuffle, and euclidean rythms (variable step count and density)

Metronome sounds from Bitwig and other daws. Autostart with play/stop. Configurable timebase (defaults to quarter notes) with shuffle and accent control. Changed the macro controls from the preset version above, to be easier to use for the intended purpose.

Similar to a single Reaktor Polyplex. Supply a multisample in the FX position to get started Hit Load to load patch. To randomize, right click the Steps, go to generate and randomize Include/Exclude whatever parameters you like and provide a range for randomization. Dial in manual parameters where you want.

This patch is a drum sample randomiser with patch storage. Drop in a multisample, edit the Step module in the PolyGrid, and hit the Load trigger to apply. There are Toggles on each parameter if you don't want them randomised. 8 parameters: Pitch, Start, Attack, Decay, Tilt (eq), Volume, Pan, and Note (Sample)

Require Cardinal Plugin https://cardinal.kx.studio/ Right Click Neil for algorithm options

If you've got Cardinal installed, this is a flexible, low cpu usage grain delay

Remote Controls only control the Delay+ settings. Manual tweaking of the devices inside the FB Path is needed for customization.

Load it in front of some audio or instrument and let the feedback generate infinite amounts of basses for you!

Based on Mr. Bill's Transient re-adder in his Virtual Riot - Fork Funeral remix. Place this rack after a clipper to re-add transients that were removed from the clipper. Adjust the transient curve to taste. Send your kick and snare busses into each respective audio sidechain and adjust the kick and snare gain accordingly for the amount of transient reemphasis you want. If you hear clicks, adjust the lag, threshold, fall, and amplify parameters to adjust the gate to taste.

FX Grid preset based on Mr. Bill's transient readder that he featured in his Fork Funeral remix. This will gate the transients from a kick and snare sidechain input whilst removing the transient from the master track, effectively readding a transient after removing it. Place this rack after a clipper on your master to re-add the transients that were lost during the clipper.

This is a 808 type of editable snare sound

Put any sample you want into the sampler and let the modulations generate sounds for you :)

A generative plugin that lets you load in any sample to make glitches, textures, pads, and atmospheres extremely fast. I have full directions on how it works and what each button does on my patreon for free (https://www.patreon.com/posts/free-bitwig-pad-110330386?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link)

A shaper-powered volume dipper combined with a frequency cut that effectively removes kick drums from loops while retaining the claps, allowing you to isolate and extract the percussion for your own use. The filter activates only when the value exceeds 1%, ensuring no unintended coloration at lower levels.

A shaper-powered volume dipper combined with a frequency cut that effectively removes kick drums from loops while retaining the claps, allowing you to isolate and extract the percussion for your own use. The filter activates only when the value exceeds 1%, ensuring no unintended coloration at lower levels.

A very low sine wave made to be phase modulated by complicated signal like vocals. Simply play your vocals into this device and mix to taste.

Based on Nest Acoustics' recent video demonstrating how to use vocals as a modulator while still receiving a musical result

DJ EQ with +6db/-INF. with the 0 point is set to middle of control. You can adjust the curves for further tuning.

C3 and D3

Bitwig metronome as a sampler preset. C3 and D3. I made it because I wanted the volume of the metronome to change when I change the master volume.

Inspired by Sound Ghost's Jumble plugin. Drop in a melody loop and hold a note.

I did a quick recreation of Sound Ghost's Jumble plugin inside Bitwig (made in 5.1.9). Inside a Chain is an Arpeggiator triggering a Sampler with random sync'd LFOs and a Delay+ and Reverb on the end of it. Drop a melodic loop into the Sampler and just hold down a note

Another version of the previous.

FM-4 and Reverb. Nothing else. It's an electric piano in the same soundscape like the JX-8p.

Noisy Ambience

Wonky chip arpeggio

Generic wobble bass for Bass Music

Sounds like a guitar

A Recreation of Phase Plant utilizing Bitwig's layer containers. The main instrument layer is your oscillator section and the Fx layer contains your 3 lanes. These lanes are setup in series by default but there is a simple button macro to split them into parallel lanes (NOTE: you will have to reroute the audio receivers in parallel). If you want to do any kind of poly modulation its going to need to happen within each individual "oscillator" layer, you cannot use poly modulators within the fx main fx section.

a janky little recreation of phase plant using bitwigs layer devices

Polymer Jump Up DnB Wub

Based on VR's Ableton device: https://youtu.be/HMWnrTM2wYs?t=232

Based on VR's Ableton device: https://youtu.be/HMWnrTM2wYs?t=232

Load any percussion as an exciter and play some arps

Something that allows you to make kicks more quickly (updated)

Kick builder V2: added remote control page to make it cleaner and more easy to use and added more solo buttons, reverse bass and mid intro generator coming soon 😄

Something that allows you to make kicks more quickly

yo, this is a simple patch that allows you to make hardstyle/rawstyle/hardcore kicks. Probably not your best tool but you can be more quickly (all sound made with stock plugins of course and made with poly grid, you can customize the tail, punch, resonance exc... as you want). Hope you like it

literally a dot matrix printer

Ganging multiple shift registers + keeping play position in place

<@118550747137835008> 's shift register note grid example from "It's over" video, extended to multiple sequenced registers and non-shifting playback (via phase offset)

Spectre-like saturation. Push signal into Over soft saturation using a bell shaped band pass filter. Keep only the saturation products. Push pull eq compensates for phase shift.

Another spectre-like preset using the new Over device in 5.2 beta 1 in delta mode. A band passed signal is pushed through it, and gain+phase compensated afterwards. Use Remotes for single band tweaks, and open the Modulation section for more bands and controls.

parallel push pull eq through distortion that mimics spectre

a first stab at replicating Spectre in bitwig, using parallel push-pull eq (with phase inverted copy to create a bandpass of sorts) through distortion. Improvements or changes welcome - user beware, this is in no way a clone! better settings can probably be found for the saturator for a more pleasing result. maybe one could add an fx selector for different saturation styles, or expose parameters that make sense.

Articulation mapping preset you can re-edit for your own VST.

Inflator saturation curve using a Shapertable approach. Clip 0dB: if OFF the signal folds back Gain comp: compensate for the saturation gain. Drive is linked to In and out. Use Out Trim to adjust. v2: added gain compensation and signal folding. v2.1: corrected fold-over curve shape

Inflator Wavetable shaper. v2.1 corrects the fold-over shape. Gain compensation is now on by default.

<:boost:891817216369123378> A classic game in Grid style: Guess the number! <:boost:891817216369123378> *Guess what number the computer thinks of between 0 - 100 !* *You get 50 tries and clues along the way. Higher or lower?* Just scroll down to the bottom of the row of modules to hit New Dice.

Steep Pro-Q Style high or low pass filter that compensates for the otherwise relatively gentle roll off of the Sallen-Key filter.

Steep 96db/oct Pro-Q Style high or low pass filter that compensates for the otherwise relatively gentle roll off of the Sallen-Key filter.

Shimmer unison example

Processing in The Grid is sample accurate. This is especially useful when working with steep modulation envelopes, like with transients. Envelope modules outside of The Grid also have a minimum attack time of 1ms, which makes them unsuitable for razor sharp editing. This patch allows very accurate isolation of a fragment of the incoming signal for separate processing. The dry and wet signal are separated in an FX layer nested in Post FX. All essential controls are mapped to a remote page.

Here's a sample accurate signal splitter I use for FX processing on specific fragments of (in my case kicks) the incoming signal. Envelopes outside of the grid have a minimum attack time of 1 ms and especially when working with fast transients, accuracy becomes important.

Reverb made from the Delay-4

A reverb made from the Reverb-4 device. A bit of classic digital reverb like the Yamaha SPX-90.

Bank of resonators being able to be tuned

12 resonator bank in parallel tuned to chromatic: If anyone has idea to upgrate it lmk mb someone even did it before but couldnt find t

Gate with Hysteresis™. Essentially, there are separate thresholds for causing the gate to open and close. If the signal exceeds the Open Threshold, the gate is opened. Then, the gate will only close once the signal goes below the Close Threshold. Note that the Open threshold should always be higher than the Close Threshold. The other controls includ Attack which controls the attack of the gate envelope, release which controls the Release of the gate envelope, Depth which controls how much the gate attenuates the signal, and Sidechain? which controls whether or not to use a sidechain input. Dtct Atk and Dtct Rel are used to control how fast the gate will be triggered in response to the signal. In general it is usually desirable to keep Dtct Atk low and Dtct Rel a bit longer. To get a better idea of what thresholds to set, what the state of the gate is, and set the audio sidechain source, open the grid and look for the labeled white controls.

Essentially the stock Gate device but with hystersis (meaning you control the opening and closing thresholds separately). See the description of the preset for more details on the controls.

An eight band spectral ducker. You need to set manually the inputs for the modulator and signal (to be ducked by the modulator) in the respective audio receivers inside the chain.

I made an 8-band spectral duck, something I've been wanting since the Elevayta plugins were discontinued. It seems to work fine.

Basic arpegiator that outputs one note at a time in a sequence from a held chord. Phase modules can be used to alter sequencing, etc. Additioinally audio or note sidechain can be used for rhythmic groove of the arp.

New version of my custom arp made in Grid. supports audio/note sidechain input for rhythmic groove. when nothing plays from those after set fallback period, reverts to normal arp (16ths by default)

A mostly-faithful recreation of Aria Salvatrice's Darius module for Rack: Create a forest of data and find surprises at every turn! Each time you take a Step to the right, you have a 50% chance of also moving down by one cell. You can chart a new path with the Path trigger, or go back to where you started with the Reset trigger. This preset has no I/O so that you can route the signals however you please.

A mostly-faithful recreation of the Darius sequencer from Rack/Cardinal. Program (or randomize) the grid and step through the data like going on a hike through the woods.

Bunch of filters and a feedback loop. Use modwheel and aftertouch.

A Grid wildforest drone with birds on mw and aftertouch. It uses supermassive for reverb.

A device for limiting range of a knob by using a second knob. Main is base control, Range limits travel of Main, and Min moves lower limit. Map Send knob to max value of what you want to control.

A device for limiting range of a knob by using a second knob. Main is base control, Range limits travel of Main, and Min moves lower limit. Map Send knob to max value of whatever you want to control. Inspired by <@543190873593217036>

Non Anti-Aliased hard clipper made to shave off peaks. Includes a visualizer showing the affected part of the signal in orange and a delta function for auditioning the difference between pre and post.

Non Anti-Aliased hard clipper made to shave off peaks. Includes a visualizer showing the affected part of the signal in orange and a delta function for auditioning the difference between pre and post.

Serial opposite linked EQs: add your FX between them to impose an EQ curve to the input and remove at the output.

A chain for applying linked opposite EQ before and after effects. It's a quick naive experiment inspired by https://discord.com/channels/121395249003233280/121395249003233280/1190406767130198016.

yeet together 10 samples and hear them get randomly played together from the same starting point. Good for an alternative kind of granular synthesis that works in a completely different way. Also is tunable so you can turn it into a chromatic instrument!

This Polygrid device simply takes 10 samples of your choosing and plays back a combination of them at complete random for absolute chaos! Works with tuned samples too so you can make a chromatic instrument with it! (Has popping/click issues)

Heres a Sequencer i made if anyone wants to check it out, it has 8 steps each with as many choices of notes, step1 has 1 choice, 2 has 2 choices, 3 has 3 and so on. Its similar to a free M4L sequencer I made a while back that I'll link to incase anyone also uses Ableton.

Quantizes incoming notes to chosen audio source as a groove source, by extracting transients from it and using them as clock source. See info inside the patch, set Groove audio source in Transient Control device inside Pre-FX chain

inspired by another video of Polarity on groove quantization, my refined approach to syncing notes to audio on another track. see thread for details https://discord.com/channels/121395249003233280/1176197798421606462

Using an instument selector and a macro (KitSelect) you can switch between 4 different DrumKits.

If you allways wanted to switch drum kits on the fly I found this method using a simple instrument selector and a macro. The most common kits are allready included, 707, 808,909 and KR55. Just add a midi clip and you are ready to go.

a granular pitch shifting cloud generator

Spräy - a granular pitch shifting cloud generator using FX-Grid

Highly experimentally controlled physically modelled string instrument for weird compositions. You may be missing FX plugins but the sound will not break because of it

Mildly polyphonic and highly experimental physical modelling preset that employs a 'bow' knob for what could eventually become a very expressive way of playing a digital instrument. [Uses Faturator]

Simple and easy stereo-asymmetric saturation

Note grid implemention of iOS's Fugue Machine using 5.1's voice stacking features

Simulates that buffer underrun/DSP spike glitchy sound. Reduce the stability macro to simulate using Izotope plugins. For maximum chaos sneak this on to a friend's master bus when they aren't looking...

Simulates buffer underruns. It feels like I bought sometime evil into the world by making this. Add it to a friend's master track when they aren't looking and watch the chaos

built this for a patch I'm working on, took long enough that I thought someone else may get some benefit. This is 32 modulator outs tied to a Steps that's used as a lookup table. I'm using it to facilitate fast modulation of a bunch of LFO phases, your mileage may vary

A NoiseSnare layered with clever use of aliasing artifacts to make metalic overtones.

Converts CC64 sustain into triggering a note If your sustain pedal doesn't cause the note to be generated tweak the CC Threshold

I used 5.1's new voice stacking capabilities and a few other tricks to make a reasonable approximation of the JP8000 supersaw using Adam Szabo's thesis paper (https://www.adamszabo.com/internet/adam_szabo_how_to_emulate_the_super_saw.pdf). Mostly experimenting with stuff, but it sounds pretty decent.

This is a five band approximation of the Loud Split device usint robbert-vdh's crossover plugin. Lo Thresh corresponds to the divide between the quiet and mid volume frequencies, and Hi Thresh corresponds to the divide between the mid and high volume frequencies. Put your effects in the "FX HERE" FX layer at the end of the corresponding chain (high, mid, or low). Advanced: There are controls for the number of bands and the location of each crossover point. Also, you can change the depth, attack, and release controls for the army of gate devices powering this behind the scenes, though generally you want to leave depth all the way up and the attack/release macros very low.

This is a linear-phase five band approximation of the Loud Split device using robbert-vdh's crossover plugin (https://github.com/robbert-vdh/nih-plug/tree/master/plugins/crossover). Lo Thresh corresponds to the divide between the quiet and mid volume frequencies, and Hi Thresh corresponds to the divide between the mid and high volume frequencies. Put your effects in the "FX HERE" FX layer at the end of the corresponding chain (high, mid, or low). Advanced: There are controls for the number of bands and the location of each crossover point, plus you can disable the linear phase processing if you wish. Additionally, you can change the depth, attack, and release controls for the army of gate devices powering this behind the scenes, though generally you want to leave depth all the way up and the attack/release macros very low.

A 3D cube for oscilloscope music. Also has XY transform and XYZ rotation.

A simple 8-note step record sequencer with velocity and probabilities I put together since my keystep died on me. Hit record, input 8 notes from your keyboard and play them back. Hope that some day they will implement step recording in the bitwig piano roll

A not so subbtle chain of effects that can turn anything into that 80's lo-fi retro vibe

makes a polyphonic stringified version of incoming sound. needs note input to work See remote controls for key parameters to ajdust.

Polyphonic FX that adds string-like characteristic to your sound. Needs note input, so either you need to put Note receiver if used on audio track, to play this as instrument, or it'll just work if you put it right after instrument, given the notes are passing through.

Alternatives Metronom auf Samplebasis mit komplettem 424-Beat Can be used as replacement for the usual metronome. Accentuated first note can be adjusted too.

An improved version of my Metronom preset. You can also adust the intensity of the first click.

Synced Sampler (w/ "slices" mapped to keys) EDIT: Add start randomization within "slice" EDIT: Added REMAP REPEAT (RR) EDIT: Added Offsetter EDIT: Added NOTES setting, for mapping other than octaves (starts from C3)

BEASSAM with custom number of slice notes among other things

Simple grid patch for some Korg M1 organ bass sound with additional reverb and chorus on the 7th.

DIY clipper for study Ventolin type settings

the custom made clipper in FX Grid, with optional self-ringing filter that makes a Ventolin-kind of distortion to incoming sound, demo can be found here: https://discord.com/channels/121395249003233280/298769583769387008/1138934071645438052

Use your ears to create chords and play with them.

a bunch of stuff I also uploaded to bitwiggers (check bitwiggers for descriptions of each one)

A Glitch Machine, great for sequenced glitchy percussions including an optional synth/bass section for a melodic touch!

a bunch of stuff I also uploaded to bitwiggers (check bitwiggers for descriptions of each one)

Create random synth sounds by clicking a button and tweak the generated parameters using bipolar knobs. Based on different instances of Polymer and only uses Bitwig devices. If you're lucky, you'll get a cool sound :) How to use: Click the "New Sound" button to generate a fresh sound. Slightly adjust all parameters with the bipolar knob macros. Turning the button off resets the device to its default state (essentially mute). Turn it back on to generate a new sound. FYI: There might be a Bitwig bug, if the sound generation stops working, try holding a MIDI note on your keyboard while pressing the button.

a bunch of stuff I also uploaded to bitwiggers (check bitwiggers for descriptions of each one)

Create random variations using a sampler. Useful for hats, rides and such.

a bunch of stuff I also uploaded to bitwiggers (check bitwiggers for descriptions of each one)

Extreme reverb. Remake of my old NaN Reverb for Ableton Live.

a bunch of stuff I also uploaded to bitwiggers (check bitwiggers for descriptions of each one)

The clipping threshold on Bit-8 seems to be at around -6 dBFS, so this tries to compensate for that.

Since I also posted this in <#121395249003233280>

This patch allows using sostenuto pedal (or signal) on any instruments that may not support it natively (it will sustain notes that were held when pedal was pressed, but not affect new notes after it, and will release sustain as pedal releases). If your sostenuto pedal uses specific CC message, set it accordingly in top-left corner of the patch. Check the notes in the patch on how it works.

After much discussion I've finally figured out that this patch I've made is for Sostenuto effect specifically, and not usual Sustain pedal action.

If your sustain pedal uses specific CC message, set it accordingly in top-left corner of the patch. This patch allows using sustain pedal on any instruments that may not support it natively (it will sustain notes that were held when pedal was pressed, but not affect new notes after it, and will release sustain as pedal releases). Check the notes in the patch on how it works.

Switch between 10 tracks (or more) using a single value.

https://www.ableton.com/en/packs/flexgroove/ remade as a Note Grid preset! Send a full-bar MIDI note in, the device will send out regular beats at a speed determined by the Segments modulator. The Select modulator decides how fast the beats are (4, 8, 16 or 32 per bar). Polyphonic.

Pad made from recording tuned wineglasses.

Pad created from layering tunes wine glasses

FX Grid preset to prevent sudden accidents from hurting your ears or your audio equipment when you're building another grid patch, sound designing or testing plugins. Put it after what you're building and make sure to turn down your output level just for extra safety.

This is an FX Grid preset to put after the grid patch you're building in order to stop sudden high frequency peaks, decrease the volume after a certain threshold and generally keep things safe when accidents happen when you're building presets.

An FX Grid reverb preset designed specifically for drum reverb but works on other instruments too. Includes diffusion modulation (the Extra Diffusion knob), Damping lows and highs and consistent mix knob.

FX Grid reverb module designed for drums specifically but works alright on other stuff.

Reminds a bit of the Chorus patch on the Korg M1.

A choir preset made with the Polysynth and a couple of stock fx. Reminds of the classic chorus patch on the Korg M1.

My first contribution. A Drumset made by sampling my voice. (If you look at any of the Samplers you will find the audio as recorded, with a couple of sounds I didn't put into pads.)

A recreation of Au5's Serum ChaosModulation Chords. Just dial up the "C h a o s" knob, toggle "MultiNote" and "TransMap" and play single notes :)

A recreation of Au5's Serum Chaos Modulation Chords inside The Grid.

Steuert die Lautstärke nicht in db sondern prozentual. Einfacher für Automatisierungen

Percentage based volume control. Instead of dB it ranges from 0-100% while keeping the maximum loudness at 0dB. Especially useful for automation. I tend to overshoot the 0dB when drawing automation curve. This way it wont happen if you use the macro knob instead.

Alternatives Metronom auf Samplebasis mit komplettem 424-Beat Can be used as replacement for the usual metronome.

You can use this preset as an alternative for the usual metronome. Maybe you find it useful. Initially it plays only a hihat sound but you can also add some kick and clap if you want.

Here is a little sample switcher you can use to switch between different types of kicks. If you bind it to a controller you can change your kicks on the fly.

Blendable FX bypass (input stage Mix knob). Your FX go into Post FX -> FX Layer -> layer 1, AFTER the DC Offset. Leave layer 2 alone.

A blendable bypass wrapper for FX / Mix knob for the input stage / device version of the Split module. It's awkward because two levels of nesting, it incurs a small CPU hit because Grid, but it sounds good and doesn't suffer cancellation artifacts like the simpler solution I've tried. Maybe others will also agree this is useful and ask Bitwig to finally do it.

Four two bar audio loopers in parallel. Start playing then enable one of the loop buttons to start looping. Reduce the number of beats to change loop rhythms (note once reduced. By default if playback is ongoing looping will start/end locked to the next bar, disable this or change to quarter notes quantise on the third preset page.

A two bar audio looper with 4 loops in parallel, surprisingly fun to mess around with, can morph very simple stuff into things that can evolve over time

Bitwig v5.0: drawn curve to sequence.. either pitch with fixed velocity or velocity with fixed pitch before v5 I used phase plant as a curve source and also made an reaktor block with the same concept: https://www.native-instruments.com/en/reaktor-community/reaktor-user-library/entry/show/14863/

A template to drop in any sample, enable looping and use the remote controls to affect the grain generation, window size and overall adsr. The release of chords is a little funky if not all notes are released at the same time, might be best to use a multinote for chords and only supply mono note input. Note that bitwig support told me this is basically abusing the midi standard, so expect that the audio engine to sometimes break on v4.3.10 at least, lower rate/density seems to break less.

Updated granular sampler template to work around bitwig simultaneous voice behaviour

A preset for the tool device with the segments modulator for triggering sidechain with notes. Put it on your FX channel and trigger it with notes. Made in Bitwig 5.0 Early Accesss

Let this be the first community preset of Bitwig 5.0! A tool preset for MIDI triggered sidechain

This Grid patch allows you to record controller movement in sync with the tempo. This is something similar to the voltera module in the Eurorack. Instructions in the comment

This is a snare generator (particularly for drum and bass) made with only stock Bitwig devices. Clicking the Random button will make it so it generates a new snare within every note. When satisfied with a snare, Unclick the random button to keep the snare same. Made by Rannument

This is a Randomizable snare maker. 5 instances of Phase-4, Minimal post processing and Whola lotta random modulators. When you come across to a snare you like, Disable the Random button to keep the snare as it is

Uses arp + note length to generate grains, as well as humanize, randomize and random modulators to spread grains in different ways. Drop in your own sample, enable looping and tweak the start playhead position Use the ADHSR in the Sampler to control aspects of the grain window shape. The 'Main ADSR' modulator is mainly for controlling monophonic attack/decay of the sound.

Template for the sampler that has note fx set up to act like a granular synth. Drop in your own sample and use the controls to affect the grain generation

A complete set of percussion, laid out following the General Midi drum specification. All instruments made in the grid - analog style. 48 sounds. Bassdrum X 2 | Snare X 2 | Rim shot | Clap | Tom X 5 | Hi-hat X 3 | Cymbal X 7 | Lazer | Tambourine | Cowbell | Vibraslap | Bongo X 2 | Conga X 3 | Timbale X 2 | Agogo X 2 | Cabasa | Maracas | Whistle X 2 | Guiro X 2 | Claves | Woodblock X 2 | Cuica X 2 | Triangle X 2 | 8-bit game sound

Spreading notes from low/left to high/right like on a piano. A random panning option for each note is present too.

Example patch using drawable OSC and LFO techniques, explore, learn and improve on it, or just use as is! I've used WolfShaper plugin as shaper for demonstration, it's free (find on Github), but you can also use MWaveShaper if you want in it's place, look at notes in the patch for more details.

Example patch that makes use of waveshapers (which can behave like MSEG) to create custom OSC and LFO shapes and apply them polyphonically in Poly Grid. Beware - this technique can be a bit CPU intense. Took me a while to prep this for public usage (including some notes and instructions on how it works), default requirement is WolfShaper plugin that you can find on Github. or you can put your own waveshaper in it's place, there's one each in OSC and LFO layers inside Note FX chain.

Splits incoming notes into three layers - the lowest note, the highest note and everything else in-between. Change out the instruments in each layer to whatever you want.

This preset splits the incoming notes into the lowest note, the highest note and the remainder in-between. The instrument presets on each of the layers can be replaced with whatever sounds you want

Plucky synth built as a grid hack of the polymer device chain.

Fun with PolyGrid. A digital sounding harpsichord-like plucked sound with a lot of modulation. Quite pleasant. I included the delay that I like in there, but feel free to go into FX and turn that off and put your own creative delays after this sound.

Slow Pad with Wind

A windy pad built on top of a sample bounced out of NI Kontour, which is a pretty cool phase modulation and distortion synth built inside Reaktor.

Empty Drum Machine preset with all note containers renamed to correspond with General Midi mappings. You can add your preferred drum/percussion device in the FX container, and if it follows standard GM mapping you ll be able to write your patterns in Bitwig s sequencer with the corresponding name for each note. Just remove the note containers of the instruments your device isn t using and you re golden.

I've made a Drum Machine preset with renamed notes with standard General Midi names. You can add your preferred drum/percussion device in the FX container, and if it follows standard GM mapping you ll be able to write your patterns in Bitwig s sequencer with the corresponding name for each note. Just remove the note containers of the instruments your device isn t using and you re golden.

I recently saw some interesting videos on Eurorack Low Pass Gates. Although it is described as not (easily) possible to re-create in software I think I succeeded quite well in mimicking it in the Grid. The four macro knobs will do to cover most of the alteration of the LowPassGate behaviour 🤔

Some randomly playing arp quantized to Fm pentatonic.

Some random arp thing I just created in the grid. Might be cool to sample some bits and rearrange 🙂

A recreation of the CS-80's "peculiar" oscillator section, which consists of a sawtooth core as well as an added pulse train to cover the rising edge section the sawtooth. The other waveforms are shaped from this sawtooth core as they would in the oscillator circuitry, going saw -> triangle -> sine. As a result, the saw has extra harmonics, the triangle sounds just extra square-y, and the sine wave has lots of additional harmonics while still sounding like a sine wave.

A recreation of the oscillator present in the CS-80. Following http://joachim.milson.free.fr/cs80-interactive-diagram/master-boards.html, I've implemented the sawtooth core of the CS-80 with the added pulse to cover up the rising edge of the sawtooth generator, and then the triangle and sine waves with waveshaping. The result is that the triangle wave shape inherits the square pulse within it, and sounds rather unique, and the sine wave, while sounding like one, has overtones and also inherits the square pulse, making it harsher than a pure tone would. I did not add the high-pass filter section of the oscillator, and added subtle saturation (simulating driving the voltage followers) as well as chorus in the FX section.

Simulated Rain in the Poly Grid

Rainmaker is a generative rain generating preset for the Grid.

A dual-sample layer pad with a blade runner kind of vibe. Meant to be fed into your favorite reverb, best with a LOT of whatever that reverb is, added on.

Asymetric Distortion. Each polarity has controllable Mix, Gain and a PreFX Filter and it's filter type, also has a internal chain so you can process each polarity however you want and create your own distortion!

A 1-Knob Buildup Maker.... with extra controls 😛

Hard clipper with a bit of a twist. Good for lo-fi/tape crackle/noise effects (although worse than actual emulations, obviously). For an actual hard clipper (why would you, but still) set Mix, Blend and Density to 100%. Depth - threshold level. Mix - dry/wet blend. Dynamic - threshold follows the input signal volume. Random - threshold level is randomized (lowering the overall threshold). Gap - [regular][stepped, can pop] gap between clip triggers. Cluster - [regular][stepped, can pop] clip time (% of gap length). Blend - between [regular] and [irregular], that is clipping at certain intervals or clipping randomly. Density - [irregular] essentially the chance to clip randomly.

Made a preset as a kind of challenge while learning Grid. Distortion, crackle, noise or something like that.

sound filters inspired by air traffic control radio communications.

A snaremaker device made by Rannument

I made an instrument layer preset that generates random snares from each note press. Everything is stock devices

Variation on <@320603795560333321> comb electric piano with an arp, and bitwig organ making a thing that's fun to play with two note widely spaced intervals (try octaves, and then move one finger at a time)

Instrument layer with arp

Cathedral like synthesized Organ Sound (very drenched in reverb)

A preset that uses the bitwig phaser to convert a signal from mono to stereo. The signal is still mono compatible.

Hi everyone, here is a new grid fx preset that uses the array module. The parameters in the performance window can change the behaviour of the fx. It's mainly used to distort the audio signal or add bitcrushing effects. And yes, the ui is intentionally broken (inspired by the freakshow industries plugins).

Modulation Based FM/PM Synth with plenty of Waveshapers and LFO Sequencing. I couldn't wait for the Release of a similar Synth Plugin so i build it myself

experimental dynamic with eq5

idea for scratchy sounds

midside multiband distortion machine

weird mid side multiband thing.

a very simple grid patch that does a pretty good job at an 80s style electric piano

v1.2 - My humble emulation of the glorious C64 SID chip. Shape your sound with five labeled steps-modulators. Have fun with the arpeggiator settings and check preset pages for further customization. "NES Mode" removes cutoff, saw oscillator and limits pulsewidth to 3 stages.

Updated to v.1.2, now works with Bitwig 4. It's really versatile C64 "emulation".

Kick generation tool made by Kato aka kravening.

<@360540101853446165> hera ya go. for the uninitiated, it's a kick generation tool made in the grid. it uses 4 sample layers, a noise layer, and a noise transient going through filters with most parameters linked to dices which are linked to sub group triggers, which are linked to a master trigger, meaning you can either press one button to randomize everything, or press one trigger and randomize only the pitch envelopes, filter positions, sample pitches, etc., etc. by only clicking the corresponding trigger group.

Use this device to gainstage your mix across many tracks with a single fader. You'll need a track with a DC Offset device on it for it to work, see this video for an explanation: https://www.youtube.com/watch?v=8svJv8v_xOM

<@257138098721390593> found your vca receiver. now i´m curious, but the linked video on youtube is private...

A drawable waveshaper in the Grid.

A drawable waveshaper in The Grid https://cdn.discordapp.com/attachments/786996796400336947/1025791175845744741/unknown.png (can't upload images here since that makes the bot very angry, and you don't want to make the bot angry)

A drum machine where the all chains (C-2 to G8) have Choke Targets and Choked By set to ALL

a version of Verklempt where every chain in the drum machine is configured for choking by all (not just the first 16)

A drum machine where the first 16 chains (C1-D#2) have Choke Targets and Choked By set to ALL

Verklempt Update! This update takes advantage of an update in Bitwig that allows us to apply choke settings on entirely empty chains. In this version, only the first 16 chains are set this way (C1-D#2)

A 16 steps modulator with assignable value for each step. It works well with 16 steps and it's easy tweakable for pair numbers of steps but for 15 steps....

An attempt at a TX81Z "Lately Bass" clone.

An attempt at a TX81Z "Lately Bass" clone.

tainted love alarm, bwomp

alt version

zappy electrical arcs

reverb distortion, for making it older and rougher.

you know the one, delaylama... heh. playing with formants in grid

trying to make wind chimes seem random

some ideas for tape effects, consolidated into a chain.

tape delay, inspired by Robert Fripp... Frippertronics. 🙂

Ideas for basic spring reverb. maybe already shared, but pretty cool

Two random melodies start off completely different, then converge, note by note, until they are the same melody (played 1 ocatev apart so we can hear them separately). Attach a pluck instrument.

I’ve made something weird today. A few days ago I rewatched <@118550747137835008>’s tutorial called “Generative Pattern Combining in the Bitwig Studio Grid”, which I had seen before but for some reason forgot about. Maybe I watched it too early in my Bitwig journey to understand the potential. But this time it was a huge, I mean huge bout of inspiration. For the last few days I've been doing things with generative melodies that evolve and then return to their original state, which I didn’t think was possible, because I understood that the S/H device can sample values, but I didn’t quite realize that it could hold on to them too. And today I've made something weird. Instead of starting with a melody and letting it go in random directions, I wondered whether the opposite was possible. Can I start with two different melodies of the same length, and by changing their notes at random make them eventually converge into a single melody? Turns out, yes I could! So here’s the Note Grid preset and a very basic project. If you try it out, send it to a pluck-type instrument, it expects to play quick, distinct notes. Notes change at random once per bar, so the time it takes for both melodies to converge depends on the tempo you set, which for me, at 130 bpm, takes under two minutes. Every bar the melody will be slightly different than previously (well, not *every* bar really, since sometimes randomness will replace a note with itself), and gradually the two distinct melodies will coalesce into one. Oh, and the blue lights indicate which notes are already ”synced”, so you can see the progress. Musical? Perhaps not 😊 Useful? Perhaps not, either. But pleasantly weird, and I love the grid for being able to accommodate such odd designs.

!!!

Impulse responses are from http://www.interruptor.ch/club_simulation.shtml

True stereo club simulation using the club1 impulse responses from: http://www.interruptor.ch/club_simulation.shtml Thought it might be useful considering the current discussion in <#335901752387829770>

Allows easily dial in 7 slices from any sample mapped to white keys

Template patch for quick mapping of 7 slices, tied to white keys primarily. Have options to set grid size, for slice snapping so you don't have to dial those slices perfectly by hand if loop you're chopping is already evenly divided

Pitch drifting, plucky lead. Use Instability control to reduce the pitch drift.

Pitch drifting lead

The 909 drum machine emulation (using the samples by Jason Baker from the TR-909 Rob Roy Recordings 1995 sample set). Open the modulator pane for original drum sound controls. Macros in brackets are not on the original machine, they were added for greater control. Samples from: http://machines.hyperreal.org/categories/drum-machines/TR-909/

I put together a 909 drum machine emulation similar to Bass-08 from Bitwig. I used the samples by Jason Baker from the TR-909 Rob Roy Recordings 1995 sample set. Open the modulator pane for original drum sound controls. Macros in brackets are not on the original machine, they were added for greater control. Link to the sample set: http://machines.hyperreal.org/categories/drum-machines/TR-909/

cool modulated bass inspired by the Orbital track "P.E.T.R.O.L." always loved that one in PI the movie.

Applies corrective gain staging to allow equal volume post chain FX. Add your effects *before* the Tool.

An automatic gain control to help with testing an effects chain while maintaining equal volume

A fully generative patch for the grid. It implements the basic Krell idea: an envelope that retriggers itself, and then wanders off into deep space. Almost entirely random, and by default not even quantized to pitch (there's a macro button for that, esp. if you want to send notes out to another synth). Do replace the stock FX with your favorite delays and reverbs.

A "Krel"l patch for the grid: couldn’t find a proper implementation, so I tried making my own. Fully generative, takes the basic Krell idea (an envelope that retriggers itself), and wanders off into deep space. Almost entirely random. Pitch is random, too, and not quantized in any manner, because hey, space music 😊 I like it this way, but adjust to taste. (There's a macro button to quantize by semitones, helpful if you want to send notes out to another synth). Do replace the stock FX with your favorite delays and reverbs. (My choices: AudioThing OuterSpace, Valhalla Vintage Verb) It's a total space-out, sometimes reminds me of Beaubourg by Vangelis, which I've always loved. It’s really amenable to all kinds of FX (tape delays, granular, noises, wobbles, and totally try it with a ring mod.). I've been listening to it for 3 days now and haven’t had enough, but ymmv.

Filter that morphs between high-pass, low-pass and notch. Morphing can be done automatically or manually.

EQ+ auto-morphing between HP, notch and LP. I reckon most of you already have your own presets for this but thought I'd share anyway just in case someone might have use for it. 2nd preset is a stereo-split version with the morphing filter on both channels at different rates.

Stereo separated morphing filters.

EQ+ auto-morphing between HP, notch and LP. I reckon most of you already have your own presets for this but thought I'd share anyway just in case someone might have use for it. 2nd preset is a stereo-split version with the morphing filter on both channels at different rates.

Hi, here is "an answer" to recently released Minimal Audio EQ and its flexibility to show that a native Bitwig EQ-5 plus native modulators is quiet enough for creative sound. It's just the start presets. I intend t craft 50 of them or so in near future 😈

Slap bass type thing. Slap/pop ratio controlled by timbre.

FM-4 slap bass with slap and pop.

Wash Out effect for transitions.

Here I've made a washout effect for transitions.

So, i've kinda recreated Dawesome Chop Suey into the Grid, it produces nice results so far. It can adjust. The patch it's almost in it's entirety self explanatory. Hope you like it!

Making EQ+ dance. Remove the peak limiter at your own risk.

Just a 100% randomized EQ+ (all points set to bell curves) with a peak limiter at the end for safety (and to bring the level up). Q and gain change the randomization amplitude for the Q and gain properties of each point, and rate changes the randomization rate

I made the hard sync preset from the pro-53 vst without being award of it. I though it was funny enough to share 😄 it's actually quite easy and straightforward to make

Made a beefy reese bass for all you dnb heads out there - super simple patch

Small but versatile glitchy pad

Helps allocating notes to different channels MPE style, which will rewrite original channel information notes had. You can then use Channel outlet from Note in module in Grid as index for voices (although up to 16)

A tool to split up notes to their own channels, sorted from low to high or the other way around (see button in remote controls). Something you might need to differentiate different voices in Grid by referring to their channel number (from 0 to 15)

The signal is getting splitt mid/side and dry wet and get different treatment, this is all you need for big leads.

Two voices played as one. Per-voice random modulation on sinewave properties and filter cutoff.

inspired by Polarity's new video on CLAP/polyphonic modulation, i made simple pad and bass presets in the grid. The pad is wavetable with 12 voices, and the bass is monophonic with 2 stacked sine voices. i included the wavetable used for the pad, because im not sure if the preset file includes it. anyways, lots of subtle random per-voice modulation, making simple synth designs create complex and rich sounds.

lots of random, polyphonic modulation on a single wavetable osc. simple design with a rich result.

inspired by Polarity's new video on CLAP/polyphonic modulation, i made simple pad and bass presets in the grid. The pad is wavetable with 12 voices, and the bass is monophonic with 2 stacked sine voices. i included the wavetable used for the pad, because im not sure if the preset file includes it. anyways, lots of subtle random per-voice modulation, making simple synth designs create complex and rich sounds.

Glorious Analog Pad, Nice Roland sound. Aftertouch rises the cutoff point. Wavetables from a Roland SH-1000.

I keep trying to get the perfect Roland saw pad sound out of the Grid, really liked how this preset sounds. This time I made a couple of wavetables from two Roland SH-1000 samples (just the saw sound with the filter wide open) and it really sounds better than the stock saw oscillator (for this purpose).

Master reference scale setup, you can point to it anywhere in project with either Note Harmonize device or Pitch Quantize module with sidechain note input from this Master device. Additionally, you can use note input from track to shift root key of the scale, or shift root manually with Key offset remote control. Also you can use track note input as Global transpose modulation, which can be tapped into in Receiver preset (you have to point to device called Global transpose in Pre-FX chain of this Grid). And finally you can also set scale via key input as sustained chord, but keep in mind that all options that use keytrack can be used together and affect output.

Added option to punch in scale from input chord

Use it to point to single Master reference, or just set custom scale manually in Pitch Quantize if you want just that. There's also Global Transpose input for Master reference patch, to apply global transposition as well.

Revised Master scale device + Scale receiver. You put Master part on a separate track, configure it's scale via Pitch Quantize module. additionally there are key offset options, where key input can be used for offset, as well as for global transpose. Where needed, put Receiver preset and set sidechain input for Pitch Quantizer module to output of the Master scale track, additionally you can select Audio sidechain in there designed for global transpose, target device called appropriately in Master Note Grid's chains, after that you can use global transpose option of the Master scale.

Master reference scale setup, you can point to it anywhere in project with either Note Harmonize device or Pitch Quantize module with sidechain note input from this Master device. Additionally, you can use note input from track to shift root key of the scale, or shift root manually with Key offset remote control. Also you can use track note input as Global transpose modulation, which can be tapped into in Follower preset (you have to point to device called Global transpose in Pre-FX chain of this Grid)

Revised Master scale device + Scale receiver. You put Master part on a separate track, configure it's scale via Pitch Quantize module. additionally there are key offset options, where key input can be used for offset, as well as for global transpose. Where needed, put Receiver preset and set sidechain input for Pitch Quantizer module to output of the Master scale track, additionally you can select Audio sidechain in there designed for global transpose, target device called appropriately in Master Note Grid's chains, after that you can use global transpose option of the Master scale.

This allows you to crush audio with distortion without losing the original dynamics. Add the effects you want in the Add Effects Here container and use the macros to fine tune. Increase Sensitivity if the incoming signal is too quiet. If things are getting gated too hard you can turn down the Env Blend. Final gain is after the envelope but before the Limiter.

This allows you to add heavy distortion while maintaining the original dynamics. Inspired by MPhatik.

This allows you to crush audio with distortion without losing the original dynamics. Add the effects you want in the Add Effects Here container and use the macros to fine tune. Increase Sensitivity if the incoming signal is too quiet. If things are getting gated too hard you can turn down the Env Blend. Final gain is after the envelope but before the Limiter.

This allows you to add heavy distortion while maintaining the original dynamics. Inspired by MPhatik.

Delay+ minus the plus

Set up MIDI modulators for Expressive E Touché.

Set up a Chain device with four MIDI modulators to control parameters with Expressive E Touché controller.

Slightly noisy harmonium/organ Grid patch (4.3 Beta).

Euclidean Rhythm Generator with Step, Beat, and Accents. (Relative - Pitch Tracked Sequence Offsets. for fixed Pitches see Absolute version). Controls: Sequence starts on Note Gates. Independent settings for SBA/Cycle, Phi Offset, Velocity, Pitch. Gate Length. MULTI toggles from single hit out (loudest S/B/A hits -- careful to set velA>velB>velS in this mode) to multi output ( S/B/A hits simultaneous). Num/Denom = phi multipliers. HoldF to tie consecutive hits. Grid Pitch mods set relative pitch of notes out. Adapted from one of my Reaktor Patches (thanks David Alexander- Toybox). with cribs from Polarity and lunardig. Thanks gents! ras!

Euclidean Rhythm Generator in Note Grid: 3 Parts- Steps/Beats/Accents. Note offsets relative to key input. This version properly handles Single note and Multi note outputs.

Euclidean Rhythm Generator with Step, Beat, and Accents. (Absolute - Notes Fixed in Preset. For Pitch Tracked Offsets see Relative version). Controls: Sequence starts on Note Gates. Independent settings for SBA/Cycle, Phi Offset, Velocity, Pitch. Gate Length. MULTI toggles from single hit out (loudest S/B/A hits -- careful to set velA>velB>velS in this mode) to multi output ( S/B/A hits simultaneous). Num/Denom = phi multipliers. HoldF to tie consecutive hits. Grid Pitch mods set pitch of notes out. Pitch mod = 0 enables midi learned note. (see lunardigs- nice!) Adapted from one of my Reaktor Patches (thanks David Alexander- Toybox). with cribs from Polarity and lunardig. Thanks gents! ras

Euclidean Rhythm Generator in Note Grid: 3 Parts- Steps/Beats/Accents. Updated from previous post. This version properly handles Single note and Multi note outputs.

Polyphonic tremolo that works on any native instrument, if Gain control isn't hijacked. Remote controls: Blend - blend between no modulation and tremolo effect, is affected by following controls Env - fade in/out for tremolo effect, shifts blend to tremolo. rnd - how much random affects blend amount Rise/Fall - add smoothing as (if) needed via enfelope follower after modulation Gain mod - when on, modulates Gain. when off, modulates Pressure Bend - Bends tremolo gain curve Quantizer - at max setting switches between voices in stepped fashion

The polyphonic tremolo effect that can be used on native devices and CLAP plugins that will support gain expressions. You can play with LFO and Random modulator settings, like enabling/disabling polyphonic mode on those, then it'll affect how gain is modulated across held notes. With mono LFO, you'll hear more of a wave that goes across held notes as if it's a 'soft arpeggiator' that blends between held notes one-by-one instead of triggering them one-by-one. While with polyphonic mode and randomisation you can get different notes coming in and out in different groups.

Today I tried to prepare my entry for that 10x10 Grid patches challenge. I thought it was an weekly event but after finishing my patch I realised that the competition is already over 😹 So, I'll post it here. https://youtu.be/OzKELAgJvJg

Naturaliser - inspired by Naturaliser VST from Rast Sound. Subtle random variations of different effects to add complexity to every track including the Master. STEREO: random left/right panning (restricted to frequencies above 500 Hz) PHASE: random delay to L/R or Mid/Side LR/MS: switches random delay to L/R or Mid/Side RATE: changes rate of the random modulation (does not influence note sync) NOTE SYNC: syncs random variations to note input (with smoothing to prevent clicks)

Naturaliser - inspired by Naturaliser VST from Rast Sound. Subtle random variations of different effects to add complexity to every track including the Master. STEREO: random left/right panning (restricted to frequencies above 500 Hz) PHASE: random delay to L/R or Mid/Side LR/MS: switches random delay to L/R or Mid/Side RATE: changes rate of the random modulation (does not influence note sync) NOTE SYNC: syncs random variations to note input (with smoothing to prevent clicks)

Was messing around with the Delay+ blur modes, and made a one note supersaw chord patch. With some chords and supersaws some of those Delay+ settings seem to turn everything into an instant trance classic. (apparently it's illegal to attach a video here or the Discord police will come for you, so check the thread for a demo video)

Polymer, with New Effects from Bitwig 4.3

A simple mini session of Sound Design (10 Minutes, xD), with the 4.3 newest features [Polymer · Convolution · Delay+ (in FB FX another Convolution] for 4.3 Beta 1 It is a Pluck Longtailed with FX

Free-running patch for Bitwig Beatbattle #1

Last version, I promise 🙂

Free-running patch for Bitwig Beatbattle #1

Just noticed that FX are allowed...

Free-running patch for Bitwig Beatbattle #1

Made a preset that chooses between two FX Layers depending in if there's a note coming from Grids Note Source. I'm using it to toggle between ducked and not ducked signal if there is or there's no note that triggers a kick in my project.

A two layer pad with aftertouch and expression (CC1) mapped. contains a sample from a Pigments preset by me, plus a tweaked polymer factory preset (analong rain).

Vangelis on Ambien. A pad preset using Instrument Layer, containing a sampled pad I made in pigments (you don't need pigments to use this preset) and a tweaked Polymer pad from the factory library. CC1 (expr) and aftertouch, route into your favorite reverb, and set sail for dreamland.

7 types of SideChain (afaik), ready to use although you need to route if neccesary.

Moves notes from lowest to highest to channels lowest -> channel 1 2. lowest -> channel 2 3.-> channel 3 4.-> channel 4 5.-> channel 5 6.-> channel 16 © Stream Punk https://stuff.1042.ch/s/

I made a preset that assigns midi-channels to polyphonic notes, lowest to highest. It is meant to apply some logic to the voice number in the grid or to create voicings with different instruments. Updates: https://github.com/Stream-Punk/Stream-Library/tree/master/presets/Chain

Performs "The Super Separator Trick" (mirrored comb filters) to de-mask two midrange sounds that are fighting with each other for space and clarity. See notes inside the FX Grid itself for instructions and tips.

De-masker that uses The Super Separator Trick, built by Baphometrix in an FX Grid device. Inspired by a Dan Worrall video showing how he does this trick with some unique features of Reaper. This is a really great way to make two competing midrange sounds share the mid spectrum nicely, and to improve the clarity of both sounds. https://youtu.be/Q7BnT3V7Ua4

Based off the "Shepards Tone," and audio illusion of ever rising tone. Interval has to be tuned correctly to make the various peak filters line up. Fading controls how long the fade-in and fade-out time is for each tone.

An endlessly rising series of peak filters. They fade in and out so that, when going slow, it's hard to hear any beginning or end. The effect is that the tone seems to rise forever,

Real Kalimba, assembled to a pseudo-granular sound

Picked up the "rhythmic texture design" idea from Venus Theory's latest video (https://youtu.be/x7pFF7GipCE?t=316) - and the old kalimba I had lying around. Sampled (and tried to tune) a couple of notes and followed the recipe. This is what I got. If you add some looong reverb (Valhalla Supermassive ftw!), the mid- and high range sound pretty nice for some ambient or similar.

My approach on wrapping notes in a user defined note range (specified by min and max note) with the note grid.

Single preset for both Note and Audio sidechain note quantization. Basically works like sort of live Groove pool, delaying notes on/off according to rhythm of sidechain source. See notes inside Grid patch for instructions.

Based on Polarity's idea of getting a live groove pool from sidechain source, this preset can use either notes or audio from other track as source, and then from generated triggers quantizes notes that go through this device. There are notes inside Grid, but basically select sidechain source for what you want to use in Pre-FX chain, CH2 layer

Combine the new Chorus+/Flanger+/Phaser+ in a fairly subtle synth "salt" that adds texture and movement to insufficiently wobbly and variable synth sounds.

Bitwig's version of FL's Effector vox mode effect.

I made a copy of fl's Effector vox mode. Enjoy !!!

I don't know if it can be helpful for someone but I am creating some chain presets to control my external hardware synths so I can add modulators faster and easier. This preset is created on Bitwig 4.2 beta 3, so probably it won't work with previous versions. I thought it was a nice idea to share the link for download. The first I did is for Sequential OB6, and you can find it here: https://mega.nz/file/6xJjHCyZ#G9HWJn79n1uBRVnD8OnFZlwym1hwWHJ8V865BFTTnyw The chain includes five pages with the CC parameters mapped on knobs and buttons, subdivided in "VCA Envelope", "Filter", "Filter Extras", "Oscillators" and "Oscillator Extras". It includes also the "HW Instrument" device, so you can place it on a midi track and hear the audio without needing to add it after. Check the midi channel (in my case it's "2" so probably you want to change it according to your setup opening the HW Instrument device inside the chain). I hope it can be useful for someone, since I plan to do more of them. Have a nice day!

outputs the right notes for a drum machine

for <@!353567891054133269> just a simple drum sequencer in 4.2b1

I noticed that Fuzzplus3 (by Audio Damage) makes things mono, so I created a stereo version.

I noticed that Fuzzplus3 by AudioDamage makes things mono, so I created a stereo version with macros. In case you don't know, all of their old plugins are free now including this one.

This Grid patch on its own is nothing special (it's a simple supersaw based Karplus-Strong string pluck), but this includes an optimized conversion from input pitch to a mod delay setting for in-tune comb filtering.

Based on the Prophet-5 patch used throughout Radiohead's Everything In Its Right Place To mimic double tracking the patch uses two instances of polysynth hard panned, and the humanise note fx to randomise note timing Use 'Original pitch' button on second preset page to tune closer to the original track.

Key sound trying to mimic the main part from Radiohead's Everything In Its Right Place. I think it sounds pretty close, but would be closer if the envelopes in polysynth were a little bit snappier. Open for suggestions on how to improve it though!

Creates clusters of notes based on the pitches present in the source material.

A pitch follower with a 5-step memory. Do remember to set the quantiser values by hand. It's just on of my production tools and might sound broken or do weird things under some circumstances, but I thought I'll share it since I didn't think it was interesting enough to be included in my recent Outer Limits preset pack.

A 4-voice ensemble effect.

A small 4-Voice chorus

Samples of close miced percussion objects layed in a granular style. Controls for: - Changing the number of repetitions and the delay between repetitions - Randomise repetitions on each new note - Relax the inital timing - Probability of layers playing (first layer always plays) - HPF, compression attack and stereo width - Second preset page has a quantised tuning knob for the glass sound (tuned to G by default). Inspired by https://www.youtube.com/watch?v=SaU95Z2zUzw

Inspired by https://www.youtube.com/watch?v=SaU95Z2zUzw I sampled a few household objects create an acoustic percussion generator

"Catch" the fundamental of the signal in Treemonster's graphical interface by adjusting the low/high frequency cutoffs and setting the threshold appropriately. In the Wet FX slot of Treemonster you'll find a device named "Display" having a Pitch-12 modulator that displays the pitch. For fine adjustment play with the "Average" button, the Average Time ("Avg Time") and the "Quantize" button.

I have improved the previous "tuner device" and added a description how to use it.

Bitwig's native tuner

Gaster from Undertale Brainless Control: - it is designed to be used with default settings only Some other parameters: - "Repitch" should be used only initialy to reproduce original samples as much as possible. Disabling it changes samplers mode to "Cycles" mode which sounds less sharper but gives adventage of formant manipulation capability. - Use "Tune" parameter to tune all samples into the closest note (F3), after full tuning, you can "tune everything to C" with one buuton. - Turn "Speed" parameter down to zero (or enable "Freeze") to achieve static and stable sound, useful in "Cycles" mode (by disabling "Repitch"). There are other parameters available that makes use of modulating "Speed" with "Random" modulator, and other that can freeze playhead and modulate it with another "Random" modulator. Just play with exposed parameters Note: snd_wngdng6 contains noise-like sound without tonality, so during tuning (above 50% value) it is being replaced by snd_wngdng2 sound.

psychodelic Gaster from Undertale

A Gater/Texture using audio sidechain. Pretty easy to use. Starting to know better the grid.

Freezes buffer, just like in Windows XP blue screen! Can be also adjusted to project temp.

Windows XP bluescreen simulator, buffer size can be also adjusted to project tempo

Processes the input by modulating a delay with filtered noise. To change the noise band center frequency, drag along the x-axis. To change the modulation amount, drag along the y-axis. "Width" controls the bandwidth. "Wide" activates two independent noise generators for the left and right channels to create a subtle stereo enhancement.

No Erosion but Corrosion.

The TRUE Erosion sound from Ableton, at long last. Based on an indy VST you MUST download first. The "Wide" button has an audible effect only when "Noise" mode is active. You can use "Width" to narrow the Wide Noise, if desired. Download the VST at: https://www.reddit.com/r/FL_Studio/comments/ekj2sp/i_recreated_erosion_abletons_proprietary_crunchy/

*(V2 - Fixes an inconsistent mapping with the "Color" knob)* The real and true Erosion sound from Ableton, in Bitwig at last! This is a custom rack I built using a free VST that somebody finally made and got the Erosion process and sound nearly identical to the original. What they left out was the "Wide" noise mode, so I created this rack to enable the Wide mode too. You'll need the VST itself for this rack to work. The VST is free and you can find the DL link in the rack preset's description. See the production channel for a video demo.

The TRUE Erosion sound from Ableton, at long last. Based on an indy VST you MUST download first. The "Wide" button has an audible effect only when "Noise" mode is active. You can use "Width" to narrow the Wide Noise, if desired. Download the VST at: https://www.reddit.com/r/FL_Studio/comments/ekj2sp/i_recreated_erosion_abletons_proprietary_crunchy/

The real and true Erosion sound from Ableton, in Bitwig at last! This is a custom rack I built using a free VST that somebody *finally* made and got the Erosion process and sound nearly identical to the original. What they left out was the "Wide" noise mode, so I created this rack to enable the Wide mode too. You'll need the VST itself for this rack to work. The VST is free and you can find the DL link in the rack preset's description. See the <#335901752387829770> channel for a video demo.

Complex pad | Long Attack | Sounds awesome with single note | Sounds well with chords

Samplerate Reduction sandwiched between two frequency shifters set to opposite shifting.

Samplerate Reduction sandwiched between two frequency shifters set to opposite shifting. Added a lfo for mangling

Hey, guys. Please, answer, would you need presets like this? 🙂

Hey, guys. Please, answer, would you need presets like this? 🙂

v1.2 - Change all the parameters, nature is chaos.

A bird! 🐦 Change all the parameters, nature is chaos.

Use this device to gainstage your mix across many tracks with a single fader. You'll need a track with a DC Offset device on it for it to work, see this video for an explanation: https://www.youtube.com/watch?v=8svJv8v_xOM

Here's an updated version that also allows you to push above 0. Version 1.0 only allowed you to attenuate signals, this version also allows to push up to 6dB (on the fader)

Use this device to gainstage your mix across many tracks with a single fader. You'll need a track with a DC Offset device on it for it to work, see this video for an explanation: https://www.youtube.com/watch?v=8svJv8v_xOM

Use this device to gainstage your mix across many tracks with a single fader. You'll need a track with a DC Offset device on it for it to work, see this video for an explanation: https://www.youtube.com/watch?v=8svJv8v_xOM

Just a tiny bit of delicious noise for your signal.

Just a tiny bit of delicious noise for your signal. Replaces Airwindows' "TapeDust" VST.

bit shift register sequencer in style of turing machine.

quick POG pedal setup

This is a Shepperd Tone generator and its default patch. This provide the classic endless rising or falling tone.

Shepperd Tone Generator: The endless rising / falling tone. Bandwidth set the interval between each sine and also the interval between the sweep start & stop frequencies. The speed simply sets the sweep rate. At fastest rate or at low bandwidth, the "endless" tone fx dissapear and you start to distinguish AM/FM kind of sounds.

Generates rain sounds for ambients in realtime... Customize it how you want. Try it!🌧️

This turns the lowest octave into a modulator you can assign to a parameter.

Might as well also share this here. This turns the lowest octave into a 0-1 modulator while leaving the rest of the signal unaffected. You could use this to add keyswitches-like functionality to a plugin that normally doesn't support that.

Generate random percussion sounds and then save the ones you like as samples. The Simpler button mutes one of the oscillators for a less busy sound.

This is my first major grid creation. The idea is to create a lot of random percussive hits and then pick out just the ones you like. Generate random percussion sounds and then save the ones you like as samples. The Simpler button mutes one of the oscillators for a less busy sound.

Four bands, all destruction. Comes with hypercompression, distortion, comb filtering plus dimension expansion, and frequency shifting. It can get loud, though, so be advised.

(this is a first for me but i felt like contributing soooo) Say hello to Quadband Destructor. Name says it all, four bands, all destruction. Coming packed with four ways to distort each band, explore new sound design territory via hypercompression, distortion + slew manipulation, comb filtering + dimension expansion, and even frequency shifting to change what a sound is. There's six pages of freedom, set your bands and dive into each individual one to ruin it as you please before ending up on the other end where you can stretch or squash the bands' spectrums via frequency shifting for even more control, hope you enjoy c:

Turn anything into a spooky recording of a poltergeist. Try it! 👻

Multiband sausage fattener.

Knights of the Clav are a set of minor chords (iirc) played using Odessa, the so-called variable spectrum harmonic cluster oscillator from Xaoc Devices. The Knights recommend experimenting with your favorite spring reverb.

Knights of the Clav are a set of minor chords (iirc) played using Odessa, the so-called variable spectrum harmonic cluster oscillator from Xaoc Devices. The Knights recommend experimenting with your favorite spring reverb.

basic re-creating of Chorus effect, but using all-pass filter for delays, for more washed out unison feel. Swap regular LFO module for SH LFO if you want random movement instead!

DIY Chorus is basically recreation of Chorus device in Grid as far as my understanding of it goes, but with all-pass filter used for delay. You can easily swap regular LFO for SH/LFO for random movement. Bitwig version requirement: 4.1

Sampled Eurorack modular synth voice using Erica Synths modules.

Erica Synths Black Bass: Sampled Eurorack modular synth voice using Erica Synths modules. https://i.imgur.com/ir0uiLU.jpeg

Turns any sound into a flushing toilet. Enjoy! 😭

This amazing preset turns any sound into a flushing toilet! Enjoy! 💩

Just a dimension expander. 🥽

OTT + DRIVE + DISPERSER and LOWCUT, all in one rack. Easy

a blank drum machine with C1 to D#2 set to choke all

a Drum Machine preset for 4.1 that has the first 16 pads set to choke all (in 4.1 you don't need "visible empty chains" to remember the choke settings, but you still cannot copy choke settings from one chain to another)

Just some grids making a Vinyl Crackling effect... because why not? 💫

Splits signal into Transient and Sustain and allows you to EQ them separately (or use other effects). Speed adjusts how short the transient sounds will be. Detector switches to a different detector which is sometimes better with sounds that have transients but aren't percussive.

Splits signal into Transient and Sustain and allows you to EQ them separately (or use other effects). Speed adjusts how short the transient sounds will be. Detector switches to a different detector which is sometimes better with sounds that have transients but aren't percussive. Fully Bitwig native.

fully mono compatible

mono to stereo converter, fully mono compatible, recomanded to not add more than 50%

max crossfeed 25% recomanded

for those who uses headphones more than speakers

Converts polyphonic pressure/aftertouch to polyphonic Timbre. Maximum 15 polyphony Note: Only for use with third party VSTs that respond to Timbre via multi-channel CC74. Bitwig devices will not respond to Timbre generated this way. Remember to set MPE toggle in inspector for the VST you want to receive MPE Timbre. Thanks to x.iso on the Bitwig Discord for this suggestion.

Updated with unused MIDI CCs removed

Because i can, and for learning purposes, here it is: Phase-3 <:slowpoke:596418581034434560>

Strange attractors generator in polygrid

Concatenation module (for positive values)

This uses the free MRatioMB plugin (which you'll need to install) to split a signal into a transient and a tonal part so you can process them individually. There are macros for choosing the ratio between the transient and tonal bands, as well as to allow you to fine tune the transient splitting algorithm.

Round robin of a tapped Bodum coffee glass. Mute Hit button switches to second set of samples tapped using finger pad.

Multi-sampled glass tap using new 4.1 ricochet and quantise note fx

Here's another Kick Maker using only Bitwig Devices. Transient, Body, Sub and Noise can be edited with Remote Control Window. Transient and Noise are Samplers so can be changed to anything. I hope you like it ❤️

Dynamic de-harsher. Gently softens sibilance / harsh frequencies

Turns mono into stereo. Pretty nice on guitars

Wet - Wet control for the effect Gain - Gain for the effect (up to +12db) A/B - Compare dry and wet. Middle is both enabled Feedback - Enables Feedback for the AllPasses Cutoff - Pre Filter (XP) Reso - Resonance of Pre Filter (XP) Mode - Mode of Pre Filter (XP) LP/HP - Post LP and HP

A failed attempt of recreating **KHs Disperser in FX Grid**, but it sounds interesting enough to be useful in some way or another. Inside the preset description there's indications of how it works. Any changes you make to the preset please share it with me. Enjoy!

Select specific frequency in the Note FX Selector. All Scales are transposed to C Major Scale = White keys. The Scales are Just Intonation tunings. Read about Solfeggio Frequencies here: https://www.chiangmaiholistic.com/9-week-solfeggio-frequency-challenge.php

Select specific frequency in the Note FX Selector. All Scales are transposed to C Major Scale = White keys. The Scales are also Just Intonation tunings.

Simple rack to make anything into a crowd. (Works great with Synths, back vocals, hi-hats and claps!) Tip! go into a billion.

Physical modeling based upright piano with an uncanny quality

Every felt like you need a piano, but the LABS Soft Piano is too real, and doesn’t consume enough CPU? Well then, I have just the patch for you!

Logistic map oscillator in Polygrid

Granulizer effect build with FX grid. It uses bandpass filters to shape each grain individually.

Synthesizer, which oscillates superformula shapes (https://en.wikipedia.org/wiki/Superformula) to generate squarish sounding harmonics. The superformula can be visualised with a vector scope.

Synthesizer, which oscillates rhodonea shapes (https://en.wikipedia.org/wiki/Rose_(mathematics)) to generate interesting harmonics. The rose curve can be visualised with a vector scope.

Simple effort at emulating the sound of a Buchla Complex Oscillator

Transparent hard-soft clipping.

A simple hard clipper device for Bitwig.

8-band Filter with phase driven modulation

The first Steps module controls pitch.

Weird preset for U-he Triple Cheese

Tool that helps you mix better vocals

https://i.imgur.com/LRQOkGp.png This was originally an attempt of re-creating the "Fresh Air" VST with just stock devices in Bitwig. But I ended up giving it tons of extra features. So I call this "Ultimate vocal tool". Put it on your vocals, and they will sound crisp, clear and "up front". Here's what it sounds like: Dry vocals: https://soundcloud.com/sebastianrobert/vocal-dry/s-ZSHx3F8DaS6 Wet vocals using this device: https://soundcloud.com/sebastianrobert/vocal-wet/s-KykSfw1S61r

Note or audio sidechain for semi-random fluttering.

3 methods that resonate on a 'soprano a'

3 methods that resonate on a 'soprano a'

Change seed value to anything between 0-100% (including decimals) to generate a new set of CC values. Set size also affects seed results, it's like accessing different banks of presets ranging from size of 1 preset to 4590. You can dynamically create new sounds and corresponding effects and get back to certain states as any seed value is it's own 'preset'. There's a number of ways to drop a seed value apart from manual selection.

CC randomizer tailored for Generic Knobs controller script, which randomises remote control values in currently selected device. There are few modes for triggering new random values from note input as well as manual seed selection. 4.0 and up required, virtual midi driver as well to send CC's and then reuse in controller script. compared to previous version I've removed accidentally left over note filter which caused input trigs to not pass above C#1 notes, as well as removed remote controls in favour to just Macro modulators in order to avoid feedback loops when device itself is becoming target for randomization. additionally there's a keytrack option for manual seed selection mode, so you could choose seed based on note

Configurable piano with nostalgic sound

I made this configurable nostalgic sounding piano (no dependencies except Bitwig's built-in devices) Here's what it sounds like: https://soundcloud.com/sebastianrobert/basement-piano-ping-pong/s-eMqgl53mYHm https://soundcloud.com/sebastianrobert/basement-piano-spook/s-fBkclP29oyS Here's what the interface looks like: https://i.imgur.com/zHjmVVn.png There are 7 settings: * release * sustain * space * wide (Makes it a bit wider) * spook (Adds a spooky choir effect) * chorus * ping-pong (Side-chained ping pong effect)

Change seed value to anything between 0-100% (including decimals) to generate a new set of CC values. Set size also affects seed results, it's like accessing different banks of presets ranging from size of 1 preset to 4590. Limiting the chance to certain value ranges can sometimes be quite effective. You can dynamically create new polysynth sounds and corresponding effects and get back to certain states as any seed value is it's own 'preset'.

CC randomizer tailored for Generic Knobs controller script, to randomize remote control values in currently selected device, there are few modes for triggering new random values as well as manual seed selection. 4.0 and up required, virtual midi driver as well to send CC's and then reuse in controller script.

Change seed value to anything between 0-100% (including decimals) to generate a new set of CC values. Set size also affects seed results, it's like accessing different banks of presets ranging from size of 1 preset to 4590. Limiting the chance to certain value ranges can sometimes be quite effective. You can dynamically create new polysynth sounds and corresponding effects and get back to certain states as any seed value is it's own 'preset'.

CC randomizer tailored for Generic Knobs controller script, to randomize remote control values in currently selected device, there are few modes for triggering new random values as well as manual seed selection. 4.0 and up required, virtual midi driver as well to send CC's and then reuse in controller script.

Some sort of 'bitcrusher' built with-in grid.

An auto-filter (should morph between filter types smoothly)

A morphable filter preset made in Bitwig 4.0.1

Its audio sidechained so only wet when its silence or with the tail, perfect for drops and stuff you want to put a tail on. You can also note sidehcain if you dig up the tool-module https://i.imgur.com/JbVUgmt.png

My attempt at frequency (not phase) modulation. Uses a way to convert the pitch to a frequency and LFO's as FM operators.

Poly Grid Resonator playground using a bunch of comb filters and experimentation

I have created a multiband mono stereo fx. With it you can adjust the mix better so that the basses are in the middle. Inspired by the plugin Mongoose VST from BOZ Digital.🤓

An attempt at improving the Diatonic Transposer in the context of the Minor mode in tonal occidental music. This patch splits the keyboard input in an Harmonic Minor part - leftmost part of the keyboard by default, but parts and chords generation are exchangeable - producing chords and a monodic Melodic or Natural Minor part. The appropriate scale is automatically chosen using a Grid patch that guesses the direction of the melodic movement.

Turns out, Attack and release are actually 1/10 when time is at 100% in Live. This is a corrected OTT that sounds extremely close to the original. Feel free to compare it!

Here's his cousin, the barberpole flanger.

Hi all, I'm a newcomer here and the person who asked Polarity about barberpole phasers, topic he talked about in a live stream a few weeks ago. Here's the FX Grid patch I've built, using a different approach.

as name suggest, it just hard-clips input at 0dB by default. also have lowpass filter

instead of Mid/Side clipper that I made before, this one ensures that output will be clipping at 0db by default.

Controlador Midi para Korg MicroKorg

hi! i've just finished this small controller device for the Microkorg. It's incomplete (it lacks the midi CCs for the mod matrix) but i've tested it and it's quite usable... hope you guys like it!

Change seed value to anything between 0 and 100% to generate a new preset, decimals also count. There's also Set size knob that resizes set from maximum 4590 values to anything less, and that would generate whole new set with different combinations for each seed. so total seeds that can be accessed should be beyond 21million. Limiting the chance to certain value ranges can sometimes be quite effective. You can dynamically create new polysynth sounds and corresponding effects and get back to certain states as any seed value is it's own 'preset'.

updated seed-based RandoRambo, originally based on Polarity's preset. now has two simple to use knobs for seed and subset size, any combinations of the two would generate new 'presets'. there's also fade settings to smoothly morph between seeds. *version 3.3.8 required

FX Grid, emulation of `kHs Trance Gate` patterns

1% = 10ms

Randomizes when notes hit polyphonically to make your chords sound more human. Has 7 "voices" (can easily be expanded by simply duplicating them in the Note Fx Selector) and global coarse and fine time knobs for easy tweaking

An 8 Oscillator PolyGrid Additive Synth? I guess?. (9 if you count the Noise) Each Oscillator has: -It's own Volume and Pan. -Controllable Parameters in their respective Macro-4 For more info see the Comments inside The Grid. ¡Enjoy! -MattSan

An 8 oscillator synth i think? (7 main osc, 1 sub, 1 noise) It's pretty simple, every osc has it's own adsr and Volume and Pan, and are divided into 2 groups, which also have Volume and Pan controls: - Basic Osc (Pulse, Saw, Sine, Triangle) - Special Osc (Wavetable, Phase1, Swarm) Also features a filter (Controllable in Performance Tab) Post Master Mixer and Pre Master ADSR. Everything is controllable in the Modulator tab of the synth. (Mainly Macro-4 and ADSR) to make it the most front end possible.

**PolyGrid Simple Kick Maker**

A fun DJ style fader that 'vocodes' between two signal sources. Inside the FX layer you will find a LEFT and RIGHT audio sources. You should set the inputs up for these to the corresponding left and right audio you want to fade/vocode between. Inside there is a FADER knob that controls which side of the mix is playing. Dry Left on the Left. Dry Right on the Right. In the middle of the mix are two vocoder channels. One using the carrier/modulator in one direction. The other using the carrier/modulator reversed. You can expand the chains to modify how the vocoders are set up for your particular use case. Maybe a good idea to map the formants of the two vocoders to CC's so you can tweak them in real time

Remake of Vocofader 9000 compatible with version 3.7

also made in bitwig 4 beta

Made in Bitwig 4 (sry)

King Tubby style bandpass filter. Great at the end of a reverb chain!

I'm still on Bitwig 2.8, so I can't check it out right now. But I'm super interested in how you did it. This is a very simple setup I use to get hard cuts between different frequencies.

a drum machine with a full set of empty chains, in which all the chains will choke all other chains

all 128 chains are choked, and they're empty and "not empty" at the same time (you can't assign choke to a truly empty chain)

Just a little Chord Generator with pad instrument

dual-buffer asynchronus looping delay.

Dual-Buffer Asynchronous Looping Delay

I well and truly do not remember making this and can't really explain what it does or why.

Time bending, phase shifting warbly weirdness

4-Voice, 6-Layer Sample Mangler, based on the Make Noise Morphagene. Load samples into reels, play notes, twist knobs.

4-Voice, 6-Layer sample mangler based on the Make Noise Morphagene. Just load samples into the layers, press keys, and twist knobs.

Dynamic EQ type thingy. You can find the frequency which is bothering you (use "Resonate" to accentuate it) and then a sidechain type modulator will duck an EQ band at that frequency.

Dynamic EQ type thingy. You can find the frequency which is bothering you (use "Resonate" to accentuate it) and then a sidechain type modulator will duck an EQ band at that frequency.

zweimal?

Simple 3OSC synth with 3 Filters, enjoy !

Hi everybody, just uploaded on github and bitwiggers some NEW PRESETS for Bitwig, mainly synths and pads, and some cymbals, that's my first time ! So be indulgent :p It's also avaiable on my github and on bitwiggers ! Hope you'll like it ! 🙂 Cheers to all !

Kinda like the Resonator Bank, but accepts MIDI for where to resonate. You can set the polyphony and the note source in the inspector. Add more bands if you want.

Kinda like the Resonator Bank, but accepts MIDI for where to resonate. You can set the polyphony and the note source in the inspector. Add more bands if you want.

Gridpreset to make some acid sounds. Comes with 8 build-in sequences.

Steps >0 Chance Echo Steps <0 Chance Mute

Some fixes (messed up the ranges somehow), phase is ok now.

Steps >0 Chance Echo Steps <0 Chance Mute

Note Fx: Set probabilities to drop or add echo to notes, using a step sequencer. Steps >0 Chance Echo Steps <0 Chance Mute

Create random melodies, synth sounds and fx sounds. Synth: Select between randomly generated parameter constellations Synth Morph: Interpolate between the values you got through Synth macro Pitches: Selects the amount of different pitches Breaks: Selects the amount of breaks Tempo: Repetitions of generated tones Active: Activates melody generation, disable to use midi input Octaves: Random octave spread Pitch: Disable when you want to preserve pitch XY Macro: Control 2 Parameters at once, Expand all 3 macros at once with Shift Happy exploring! https://soundcloud.com/ioka

Create random melodies, synth sounds and fx sounds with my Random Music Maker!

Utility used to calculate ms according to entered bpm

BPM to ms calculator inside GRID

I build based on the Rando-Rambo fx grid preset from Polarity my RFC-214, a Random FX Chain containing 18 Bitwig native audio effects whose 214 parameters can be randomized with a click of a single button! I tried to group "similar" effects into single modules that can be individually randomized, muted and gain-controlled. At the end of each module and the whole rack I added a low-cut and a limiter because it's likely that things are getting out of control. There is a problem with conflicting buttons states because there is one generate button at the first preset page that controls the randomization of all the 3 modules, and you have on the second page individual generate buttons which can get out of sync with the general generate button when pressed. If someone has an idea how to solve this, I would be glad to know! Otherwise, feel free to work with the preset and rearrange it as you like. Inside the modules effects are working in serial and rearranging them will make a huge difference. I decided to have the 3 modules working in parallel thus it's not that likely that a heavy distortion totally negates a reverb effect, and you can control them easier individually.

I build based on the Rando-Rambo fx grid preset from Polarity my RFC-214, a Random FX Chain containing 18 Bitwig native audio effects whose 214 parameters can be randomized with a click of a single button!

This preset processes up to 8 channels independently and gives probability setting for each channel to pass it's note. You can use it with multi-channel clips where you want certain notes to have certain probability of passing through. So in that case you assign those notes to channel 2 or up, so you can have 8 'groups' of different probabilities this way

8 probability knobs for 8 midi channels, a midi effect for blocking or passing through notes among 8 channels

Very pleasant cyber-mooing drone.

FX Selector that mutes the output of each layer when it is not in use. This gets rid of delay and reverb tails that would normally create clutter. Just put whatever devices you want in between the two gates of each layer.

This is an FX selector that mutes each layer when it is not in use to cut off delay and reverb tails.

Please check it guys. I wonder if it will works on your system

Restrict notes in scale and set the timing of your play on grid, then play all the right notes at right time ;)

feeling lazy or lacking skill to perform on keyboard live and on time, on scale? no worries, just a bit of your CPU power and play along whatever you want according to scale and timing you want!

Version 2 of my formant synthesis patch. Cleaned up some stuff and added a 'darken' knob, which will shift down the overall characteristics of the formant (somewhat like a formant shift but also a bit sounding like an eq).

Control your Microfreak from Bitwig!

MIDI CC for Microfreak owners.

Tool that is more easily automatable for small adjustments. Macro for +-3dB, +-6dB, and mute.

Can use an instrument lane to play piano pedals as keyswitches instead of automation which is a lot nicer visually I think.

Modulated "orbital" version

XY device that fades between different delays. rolls drums a bit for you.

Crazy granular power up sound generator using the E-snare, it has "hold" buttons if you like the current sound combination.

SVF, based on EQ+ and some math behind, so the filter interpolation works seamlessly.

This is my monitoring chain. I use it in an effect track that Master sends to. It uses a couple of non-stock plugins (Waves NX and TB Morphit) so I wouldn't have posted it, but it was specifically requested 😉

Beat Repeat similar to Ableton Live

Beat repeat similar to Ableton live by "vadimred13" on reddit > **Interval** - How often Beat Repeat triggers. Range is 0.5 bar to 8 bars. > > **Offset** - Where to start the repeat in relation to the start of a bar...in increments of 8th notes. Range is 0 (on the bar) - to 7/8th of a bar. > > **Gate** - How long to repeat for (in 16th notes). Range is 1-16. > > **Grid** - Amount of audio to repeat (in note lengths). Range is ether 16th, 8th, or quarter note. > > **Grid Type** - Note type used with "Grid" Remote Control above. Either a triplet, straight, or dotted. Notice in the display readout, -1 means triplet, 0 means straight, and 1 means dotted. Source: https://www.reddit.com/r/Bitwig/comments/kx2cor/beat_repeat_for_bitwig/

OK, so here is my shot at extending <@!118550747137835008> 's grid to note. I added: 1. legato playing 2. pitch bend support 3. MPE support for pressure and timbre. Pressure can't be directly sent to a device though because of the way it is implemented in MIDI. (Please bitwig... give us access to pitchbend and pressure generators so we can do cool stuff with them.) You can use pressure in the grid patch itself to do things with pitch (make a pressure sensitive pitch LFO) or to map pressure to timbre (which can be sent to a MPE VST as it is a normal cc) and things like that. 4. This is ready to be used polyphonically -- make an instrument selector with a bunch of these and set to free robin, then go into each layer and change the MIDI mapping setting so that they map to MIDI channels 2-16 (as many as you need) then route the output of the whole rack to a single VST and it should work.

keeping the same setup try looking for different wavetables there is voice stacking engaged pitching up the oscillator in several octaves

part of my 30 presets pack for polymer <3