Ganging multiple shift registers + keeping play position in place

<@118550747137835008> 's shift register note grid example from "It's over" video, extended to multiple sequenced registers and non-shifting playback (via phase offset)

Basic arpegiator that outputs one note at a time in a sequence from a held chord. Phase modules can be used to alter sequencing, etc. Additioinally audio or note sidechain can be used for rhythmic groove of the arp.

New version of my custom arp made in Grid. supports audio/note sidechain input for rhythmic groove. when nothing plays from those after set fallback period, reverts to normal arp (16ths by default)

A mostly-faithful recreation of Aria Salvatrice's Darius module for Rack: Create a forest of data and find surprises at every turn! Each time you take a Step to the right, you have a 50% chance of also moving down by one cell. You can chart a new path with the Path trigger, or go back to where you started with the Reset trigger. This preset has no I/O so that you can route the signals however you please.

A mostly-faithful recreation of the Darius sequencer from Rack/Cardinal. Program (or randomize) the grid and step through the data like going on a hike through the woods.

Heres a Sequencer i made if anyone wants to check it out, it has 8 steps each with as many choices of notes, step1 has 1 choice, 2 has 2 choices, 3 has 3 and so on. Its similar to a free M4L sequencer I made a while back that I'll link to incase anyone also uses Ableton.

Quantizes incoming notes to chosen audio source as a groove source, by extracting transients from it and using them as clock source. See info inside the patch, set Groove audio source in Transient Control device inside Pre-FX chain

inspired by another video of Polarity on groove quantization, my refined approach to syncing notes to audio on another track. see thread for details https://discord.com/channels/121395249003233280/1176197798421606462

Note grid implemention of iOS's Fugue Machine using 5.1's voice stacking features

built this for a patch I'm working on, took long enough that I thought someone else may get some benefit. This is 32 modulator outs tied to a Steps that's used as a lookup table. I'm using it to facilitate fast modulation of a bunch of LFO phases, your mileage may vary

Converts CC64 sustain into triggering a note If your sustain pedal doesn't cause the note to be generated tweak the CC Threshold

A simple 8-note step record sequencer with velocity and probabilities I put together since my keystep died on me. Hit record, input 8 notes from your keyboard and play them back. Hope that some day they will implement step recording in the bitwig piano roll

This patch allows using sostenuto pedal (or signal) on any instruments that may not support it natively (it will sustain notes that were held when pedal was pressed, but not affect new notes after it, and will release sustain as pedal releases). If your sostenuto pedal uses specific CC message, set it accordingly in top-left corner of the patch. Check the notes in the patch on how it works.

After much discussion I've finally figured out that this patch I've made is for Sostenuto effect specifically, and not usual Sustain pedal action.

If your sustain pedal uses specific CC message, set it accordingly in top-left corner of the patch. This patch allows using sustain pedal on any instruments that may not support it natively (it will sustain notes that were held when pedal was pressed, but not affect new notes after it, and will release sustain as pedal releases). Check the notes in the patch on how it works.

https://www.ableton.com/en/packs/flexgroove/ remade as a Note Grid preset! Send a full-bar MIDI note in, the device will send out regular beats at a speed determined by the Segments modulator. The Select modulator decides how fast the beats are (4, 8, 16 or 32 per bar). Polyphonic.

Bitwig v5.0: drawn curve to sequence.. either pitch with fixed velocity or velocity with fixed pitch before v5 I used phase plant as a curve source and also made an reaktor block with the same concept: https://www.native-instruments.com/en/reaktor-community/reaktor-user-library/entry/show/14863/

Spreading notes from low/left to high/right like on a piano. A random panning option for each note is present too.

Two random melodies start off completely different, then converge, note by note, until they are the same melody (played 1 ocatev apart so we can hear them separately). Attach a pluck instrument.

I’ve made something weird today. A few days ago I rewatched <@118550747137835008>’s tutorial called “Generative Pattern Combining in the Bitwig Studio Grid”, which I had seen before but for some reason forgot about. Maybe I watched it too early in my Bitwig journey to understand the potential. But this time it was a huge, I mean huge bout of inspiration. For the last few days I've been doing things with generative melodies that evolve and then return to their original state, which I didn’t think was possible, because I understood that the S/H device can sample values, but I didn’t quite realize that it could hold on to them too. And today I've made something weird. Instead of starting with a melody and letting it go in random directions, I wondered whether the opposite was possible. Can I start with two different melodies of the same length, and by changing their notes at random make them eventually converge into a single melody? Turns out, yes I could! So here’s the Note Grid preset and a very basic project. If you try it out, send it to a pluck-type instrument, it expects to play quick, distinct notes. Notes change at random once per bar, so the time it takes for both melodies to converge depends on the tempo you set, which for me, at 130 bpm, takes under two minutes. Every bar the melody will be slightly different than previously (well, not *every* bar really, since sometimes randomness will replace a note with itself), and gradually the two distinct melodies will coalesce into one. Oh, and the blue lights indicate which notes are already ”synced”, so you can see the progress. Musical? Perhaps not 😊 Useful? Perhaps not, either. But pleasantly weird, and I love the grid for being able to accommodate such odd designs.

Master reference scale setup, you can point to it anywhere in project with either Note Harmonize device or Pitch Quantize module with sidechain note input from this Master device. Additionally, you can use note input from track to shift root key of the scale, or shift root manually with Key offset remote control. Also you can use track note input as Global transpose modulation, which can be tapped into in Receiver preset (you have to point to device called Global transpose in Pre-FX chain of this Grid). And finally you can also set scale via key input as sustained chord, but keep in mind that all options that use keytrack can be used together and affect output.

Added option to punch in scale from input chord

Use it to point to single Master reference, or just set custom scale manually in Pitch Quantize if you want just that. There's also Global Transpose input for Master reference patch, to apply global transposition as well.

Revised Master scale device + Scale receiver. You put Master part on a separate track, configure it's scale via Pitch Quantize module. additionally there are key offset options, where key input can be used for offset, as well as for global transpose. Where needed, put Receiver preset and set sidechain input for Pitch Quantizer module to output of the Master scale track, additionally you can select Audio sidechain in there designed for global transpose, target device called appropriately in Master Note Grid's chains, after that you can use global transpose option of the Master scale.

Master reference scale setup, you can point to it anywhere in project with either Note Harmonize device or Pitch Quantize module with sidechain note input from this Master device. Additionally, you can use note input from track to shift root key of the scale, or shift root manually with Key offset remote control. Also you can use track note input as Global transpose modulation, which can be tapped into in Follower preset (you have to point to device called Global transpose in Pre-FX chain of this Grid)

Revised Master scale device + Scale receiver. You put Master part on a separate track, configure it's scale via Pitch Quantize module. additionally there are key offset options, where key input can be used for offset, as well as for global transpose. Where needed, put Receiver preset and set sidechain input for Pitch Quantizer module to output of the Master scale track, additionally you can select Audio sidechain in there designed for global transpose, target device called appropriately in Master Note Grid's chains, after that you can use global transpose option of the Master scale.

Euclidean Rhythm Generator with Step, Beat, and Accents. (Relative - Pitch Tracked Sequence Offsets. for fixed Pitches see Absolute version). Controls: Sequence starts on Note Gates. Independent settings for SBA/Cycle, Phi Offset, Velocity, Pitch. Gate Length. MULTI toggles from single hit out (loudest S/B/A hits -- careful to set velA>velB>velS in this mode) to multi output ( S/B/A hits simultaneous). Num/Denom = phi multipliers. HoldF to tie consecutive hits. Grid Pitch mods set relative pitch of notes out. Adapted from one of my Reaktor Patches (thanks David Alexander- Toybox). with cribs from Polarity and lunardig. Thanks gents! ras!

Euclidean Rhythm Generator in Note Grid: 3 Parts- Steps/Beats/Accents. Note offsets relative to key input. This version properly handles Single note and Multi note outputs.

Euclidean Rhythm Generator with Step, Beat, and Accents. (Absolute - Notes Fixed in Preset. For Pitch Tracked Offsets see Relative version). Controls: Sequence starts on Note Gates. Independent settings for SBA/Cycle, Phi Offset, Velocity, Pitch. Gate Length. MULTI toggles from single hit out (loudest S/B/A hits -- careful to set velA>velB>velS in this mode) to multi output ( S/B/A hits simultaneous). Num/Denom = phi multipliers. HoldF to tie consecutive hits. Grid Pitch mods set pitch of notes out. Pitch mod = 0 enables midi learned note. (see lunardigs- nice!) Adapted from one of my Reaktor Patches (thanks David Alexander- Toybox). with cribs from Polarity and lunardig. Thanks gents! ras

Euclidean Rhythm Generator in Note Grid: 3 Parts- Steps/Beats/Accents. Updated from previous post. This version properly handles Single note and Multi note outputs.

Polyphonic tremolo that works on any native instrument, if Gain control isn't hijacked. Remote controls: Blend - blend between no modulation and tremolo effect, is affected by following controls Env - fade in/out for tremolo effect, shifts blend to tremolo. rnd - how much random affects blend amount Rise/Fall - add smoothing as (if) needed via enfelope follower after modulation Gain mod - when on, modulates Gain. when off, modulates Pressure Bend - Bends tremolo gain curve Quantizer - at max setting switches between voices in stepped fashion

The polyphonic tremolo effect that can be used on native devices and CLAP plugins that will support gain expressions. You can play with LFO and Random modulator settings, like enabling/disabling polyphonic mode on those, then it'll affect how gain is modulated across held notes. With mono LFO, you'll hear more of a wave that goes across held notes as if it's a 'soft arpeggiator' that blends between held notes one-by-one instead of triggering them one-by-one. While with polyphonic mode and randomisation you can get different notes coming in and out in different groups.

My approach on wrapping notes in a user defined note range (specified by min and max note) with the note grid.

Single preset for both Note and Audio sidechain note quantization. Basically works like sort of live Groove pool, delaying notes on/off according to rhythm of sidechain source. See notes inside Grid patch for instructions.

Based on Polarity's idea of getting a live groove pool from sidechain source, this preset can use either notes or audio from other track as source, and then from generated triggers quantizes notes that go through this device. There are notes inside Grid, but basically select sidechain source for what you want to use in Pre-FX chain, CH2 layer

outputs the right notes for a drum machine

for <@!353567891054133269> just a simple drum sequencer in 4.2b1