Instrument layer single OSC pad

Inspired by Sound Ghost's Jumble plugin. Drop in a melody loop and hold a note.

I did a quick recreation of Sound Ghost's Jumble plugin inside Bitwig (made in 5.1.9). Inside a Chain is an Arpeggiator triggering a Sampler with random sync'd LFOs and a Delay+ and Reverb on the end of it. Drop a melodic loop into the Sampler and just hold down a note

Bunch of filters and a feedback loop. Use modwheel and aftertouch.

A Grid wildforest drone with birds on mw and aftertouch. It uses supermassive for reverb.

Pad made from recording tuned wineglasses.

Pad created from layering tunes wine glasses

Example patch using drawable OSC and LFO techniques, explore, learn and improve on it, or just use as is! I've used WolfShaper plugin as shaper for demonstration, it's free (find on Github), but you can also use MWaveShaper if you want in it's place, look at notes in the patch for more details.

Example patch that makes use of waveshapers (which can behave like MSEG) to create custom OSC and LFO shapes and apply them polyphonically in Poly Grid. Beware - this technique can be a bit CPU intense. Took me a while to prep this for public usage (including some notes and instructions on how it works), default requirement is WolfShaper plugin that you can find on Github. or you can put your own waveshaper in it's place, there's one each in OSC and LFO layers inside Note FX chain.

Slow Pad with Wind

A windy pad built on top of a sample bounced out of NI Kontour, which is a pretty cool phase modulation and distortion synth built inside Reaktor.

A dual-sample layer pad with a blade runner kind of vibe. Meant to be fed into your favorite reverb, best with a LOT of whatever that reverb is, added on.

lots of random, polyphonic modulation on a single wavetable osc. simple design with a rich result.

inspired by Polarity's new video on CLAP/polyphonic modulation, i made simple pad and bass presets in the grid. The pad is wavetable with 12 voices, and the bass is monophonic with 2 stacked sine voices. i included the wavetable used for the pad, because im not sure if the preset file includes it. anyways, lots of subtle random per-voice modulation, making simple synth designs create complex and rich sounds.

Real Kalimba, assembled to a pseudo-granular sound

Picked up the "rhythmic texture design" idea from Venus Theory's latest video (https://youtu.be/x7pFF7GipCE?t=316) - and the old kalimba I had lying around. Sampled (and tried to tune) a couple of notes and followed the recipe. This is what I got. If you add some looong reverb (Valhalla Supermassive ftw!), the mid- and high range sound pretty nice for some ambient or similar.

Pad sound with some detune in the release.

Pad sound with a detuned reverb trail.

Beautiful spacious sparkly pad

A really nice sparkly, spacious, evolving pad

Slowly shifting pad. Base Audio sampled from Serge Modular system

Been sampling my Serge for some sampler presets. Just basic synth pads.

One finger chords with micro tuned thirds

Talking about chord patches on the main channel with <@!216530256146857984> . This shows the Multi Note device and has a Mirco Pitch device setup to tune the thirds of every chord.