Similar to a single Reaktor Polyplex. Supply a multisample in the FX position to get started Hit Load to load patch. To randomize, right click the Steps, go to generate and randomize Include/Exclude whatever parameters you like and provide a range for randomization. Dial in manual parameters where you want.

This patch is a drum sample randomiser with patch storage. Drop in a multisample, edit the Step module in the PolyGrid, and hit the Load trigger to apply. There are Toggles on each parameter if you don't want them randomised. 8 parameters: Pitch, Start, Attack, Decay, Tilt (eq), Volume, Pan, and Note (Sample)

A shaper-powered volume dipper combined with a frequency cut that effectively removes kick drums from loops while retaining the claps, allowing you to isolate and extract the percussion for your own use. The filter activates only when the value exceeds 1%, ensuring no unintended coloration at lower levels.

A shaper-powered volume dipper combined with a frequency cut that effectively removes kick drums from loops while retaining the claps, allowing you to isolate and extract the percussion for your own use. The filter activates only when the value exceeds 1%, ensuring no unintended coloration at lower levels.

C3 and D3

Bitwig metronome as a sampler preset. C3 and D3. I made it because I wanted the volume of the metronome to change when I change the master volume.

Processing in The Grid is sample accurate. This is especially useful when working with steep modulation envelopes, like with transients. Envelope modules outside of The Grid also have a minimum attack time of 1ms, which makes them unsuitable for razor sharp editing. This patch allows very accurate isolation of a fragment of the incoming signal for separate processing. The dry and wet signal are separated in an FX layer nested in Post FX. All essential controls are mapped to a remote page.

Here's a sample accurate signal splitter I use for FX processing on specific fragments of (in my case kicks) the incoming signal. Envelopes outside of the grid have a minimum attack time of 1 ms and especially when working with fast transients, accuracy becomes important.

A device for limiting range of a knob by using a second knob. Main is base control, Range limits travel of Main, and Min moves lower limit. Map Send knob to max value of what you want to control.

A device for limiting range of a knob by using a second knob. Main is base control, Range limits travel of Main, and Min moves lower limit. Map Send knob to max value of whatever you want to control. Inspired by <@543190873593217036>

Serial opposite linked EQs: add your FX between them to impose an EQ curve to the input and remove at the output.

A chain for applying linked opposite EQ before and after effects. It's a quick naive experiment inspired by https://discord.com/channels/121395249003233280/121395249003233280/1190406767130198016.

Quantizes incoming notes to chosen audio source as a groove source, by extracting transients from it and using them as clock source. See info inside the patch, set Groove audio source in Transient Control device inside Pre-FX chain

inspired by another video of Polarity on groove quantization, my refined approach to syncing notes to audio on another track. see thread for details https://discord.com/channels/121395249003233280/1176197798421606462

Alternatives Metronom auf Samplebasis mit komplettem 424-Beat Can be used as replacement for the usual metronome. Accentuated first note can be adjusted too.

An improved version of my Metronom preset. You can also adust the intensity of the first click.

Synced Sampler (w/ "slices" mapped to keys) EDIT: Add start randomization within "slice" EDIT: Added REMAP REPEAT (RR) EDIT: Added Offsetter EDIT: Added NOTES setting, for mapping other than octaves (starts from C3)

BEASSAM with custom number of slice notes among other things

Switch between 10 tracks (or more) using a single value.

FX Grid preset to prevent sudden accidents from hurting your ears or your audio equipment when you're building another grid patch, sound designing or testing plugins. Put it after what you're building and make sure to turn down your output level just for extra safety.

This is an FX Grid preset to put after the grid patch you're building in order to stop sudden high frequency peaks, decrease the volume after a certain threshold and generally keep things safe when accidents happen when you're building presets.

Steuert die Lautstärke nicht in db sondern prozentual. Einfacher für Automatisierungen

Percentage based volume control. Instead of dB it ranges from 0-100% while keeping the maximum loudness at 0dB. Especially useful for automation. I tend to overshoot the 0dB when drawing automation curve. This way it wont happen if you use the macro knob instead.

Alternatives Metronom auf Samplebasis mit komplettem 424-Beat Can be used as replacement for the usual metronome.

You can use this preset as an alternative for the usual metronome. Maybe you find it useful. Initially it plays only a hihat sound but you can also add some kick and clap if you want.

Blendable FX bypass (input stage Mix knob). Your FX go into Post FX -> FX Layer -> layer 1, AFTER the DC Offset. Leave layer 2 alone.

A blendable bypass wrapper for FX / Mix knob for the input stage / device version of the Split module. It's awkward because two levels of nesting, it incurs a small CPU hit because Grid, but it sounds good and doesn't suffer cancellation artifacts like the simpler solution I've tried. Maybe others will also agree this is useful and ask Bitwig to finally do it.

A template to drop in any sample, enable looping and use the remote controls to affect the grain generation, window size and overall adsr. The release of chords is a little funky if not all notes are released at the same time, might be best to use a multinote for chords and only supply mono note input. Note that bitwig support told me this is basically abusing the midi standard, so expect that the audio engine to sometimes break on v4.3.10 at least, lower rate/density seems to break less.

Updated granular sampler template to work around bitwig simultaneous voice behaviour

This Grid patch allows you to record controller movement in sync with the tempo. This is something similar to the voltera module in the Eurorack. Instructions in the comment

Uses arp + note length to generate grains, as well as humanize, randomize and random modulators to spread grains in different ways. Drop in your own sample, enable looping and tweak the start playhead position Use the ADHSR in the Sampler to control aspects of the grain window shape. The 'Main ADSR' modulator is mainly for controlling monophonic attack/decay of the sound.

Template for the sampler that has note fx set up to act like a granular synth. Drop in your own sample and use the controls to affect the grain generation

Spreading notes from low/left to high/right like on a piano. A random panning option for each note is present too.

Splits incoming notes into three layers - the lowest note, the highest note and everything else in-between. Change out the instruments in each layer to whatever you want.

This preset splits the incoming notes into the lowest note, the highest note and the remainder in-between. The instrument presets on each of the layers can be replaced with whatever sounds you want

Use this device to gainstage your mix across many tracks with a single fader. You'll need a track with a DC Offset device on it for it to work, see this video for an explanation: https://www.youtube.com/watch?v=8svJv8v_xOM

<@257138098721390593> found your vca receiver. now i´m curious, but the linked video on youtube is private...

Allows easily dial in 7 slices from any sample mapped to white keys

Template patch for quick mapping of 7 slices, tied to white keys primarily. Have options to set grid size, for slice snapping so you don't have to dial those slices perfectly by hand if loop you're chopping is already evenly divided

Applies corrective gain staging to allow equal volume post chain FX. Add your effects *before* the Tool.

An automatic gain control to help with testing an effects chain while maintaining equal volume

This allows you to crush audio with distortion without losing the original dynamics. Add the effects you want in the Add Effects Here container and use the macros to fine tune. Increase Sensitivity if the incoming signal is too quiet. If things are getting gated too hard you can turn down the Env Blend. Final gain is after the envelope but before the Limiter.

This allows you to add heavy distortion while maintaining the original dynamics. Inspired by MPhatik.

This allows you to crush audio with distortion without losing the original dynamics. Add the effects you want in the Add Effects Here container and use the macros to fine tune. Increase Sensitivity if the incoming signal is too quiet. If things are getting gated too hard you can turn down the Env Blend. Final gain is after the envelope but before the Limiter.

This allows you to add heavy distortion while maintaining the original dynamics. Inspired by MPhatik.

Set up MIDI modulators for Expressive E Touché.

Set up a Chain device with four MIDI modulators to control parameters with Expressive E Touché controller.

7 types of SideChain (afaik), ready to use although you need to route if neccesary.

Moves notes from lowest to highest to channels lowest -> channel 1 2. lowest -> channel 2 3.-> channel 3 4.-> channel 4 5.-> channel 5 6.-> channel 16 © Stream Punk https://stuff.1042.ch/s/

I made a preset that assigns midi-channels to polyphonic notes, lowest to highest. It is meant to apply some logic to the voice number in the grid or to create voicings with different instruments. Updates: https://github.com/Stream-Punk/Stream-Library/tree/master/presets/Chain

Performs "The Super Separator Trick" (mirrored comb filters) to de-mask two midrange sounds that are fighting with each other for space and clarity. See notes inside the FX Grid itself for instructions and tips.

De-masker that uses The Super Separator Trick, built by Baphometrix in an FX Grid device. Inspired by a Dan Worrall video showing how he does this trick with some unique features of Reaper. This is a really great way to make two competing midrange sounds share the mid spectrum nicely, and to improve the clarity of both sounds. https://youtu.be/Q7BnT3V7Ua4

I don't know if it can be helpful for someone but I am creating some chain presets to control my external hardware synths so I can add modulators faster and easier. This preset is created on Bitwig 4.2 beta 3, so probably it won't work with previous versions. I thought it was a nice idea to share the link for download. The first I did is for Sequential OB6, and you can find it here: https://mega.nz/file/6xJjHCyZ#G9HWJn79n1uBRVnD8OnFZlwym1hwWHJ8V865BFTTnyw The chain includes five pages with the CC parameters mapped on knobs and buttons, subdivided in "VCA Envelope", "Filter", "Filter Extras", "Oscillators" and "Oscillator Extras". It includes also the "HW Instrument" device, so you can place it on a midi track and hear the audio without needing to add it after. Check the midi channel (in my case it's "2" so probably you want to change it according to your setup opening the HW Instrument device inside the chain). I hope it can be useful for someone, since I plan to do more of them. Have a nice day!

Use this device to gainstage your mix across many tracks with a single fader. You'll need a track with a DC Offset device on it for it to work, see this video for an explanation: https://www.youtube.com/watch?v=8svJv8v_xOM

Here's an updated version that also allows you to push above 0. Version 1.0 only allowed you to attenuate signals, this version also allows to push up to 6dB (on the fader)

Use this device to gainstage your mix across many tracks with a single fader. You'll need a track with a DC Offset device on it for it to work, see this video for an explanation: https://www.youtube.com/watch?v=8svJv8v_xOM

Use this device to gainstage your mix across many tracks with a single fader. You'll need a track with a DC Offset device on it for it to work, see this video for an explanation: https://www.youtube.com/watch?v=8svJv8v_xOM

a blank drum machine with C1 to D#2 set to choke all

a Drum Machine preset for 4.1 that has the first 16 pads set to choke all (in 4.1 you don't need "visible empty chains" to remember the choke settings, but you still cannot copy choke settings from one chain to another)

fully mono compatible

mono to stereo converter, fully mono compatible, recomanded to not add more than 50%

max crossfeed 25% recomanded

for those who uses headphones more than speakers

Converts polyphonic pressure/aftertouch to polyphonic Timbre. Maximum 15 polyphony Note: Only for use with third party VSTs that respond to Timbre via multi-channel CC74. Bitwig devices will not respond to Timbre generated this way. Remember to set MPE toggle in inspector for the VST you want to receive MPE Timbre. Thanks to x.iso on the Bitwig Discord for this suggestion.

Updated with unused MIDI CCs removed

This uses the free MRatioMB plugin (which you'll need to install) to split a signal into a transient and a tonal part so you can process them individually. There are macros for choosing the ratio between the transient and tonal bands, as well as to allow you to fine tune the transient splitting algorithm.

Select specific frequency in the Note FX Selector. All Scales are transposed to C Major Scale = White keys. The Scales are Just Intonation tunings. Read about Solfeggio Frequencies here: https://www.chiangmaiholistic.com/9-week-solfeggio-frequency-challenge.php

Select specific frequency in the Note FX Selector. All Scales are transposed to C Major Scale = White keys. The Scales are also Just Intonation tunings.

Change seed value to anything between 0-100% (including decimals) to generate a new set of CC values. Set size also affects seed results, it's like accessing different banks of presets ranging from size of 1 preset to 4590. You can dynamically create new sounds and corresponding effects and get back to certain states as any seed value is it's own 'preset'. There's a number of ways to drop a seed value apart from manual selection.

CC randomizer tailored for Generic Knobs controller script, which randomises remote control values in currently selected device. There are few modes for triggering new random values from note input as well as manual seed selection. 4.0 and up required, virtual midi driver as well to send CC's and then reuse in controller script. compared to previous version I've removed accidentally left over note filter which caused input trigs to not pass above C#1 notes, as well as removed remote controls in favour to just Macro modulators in order to avoid feedback loops when device itself is becoming target for randomization. additionally there's a keytrack option for manual seed selection mode, so you could choose seed based on note

Change seed value to anything between 0-100% (including decimals) to generate a new set of CC values. Set size also affects seed results, it's like accessing different banks of presets ranging from size of 1 preset to 4590. Limiting the chance to certain value ranges can sometimes be quite effective. You can dynamically create new polysynth sounds and corresponding effects and get back to certain states as any seed value is it's own 'preset'.

CC randomizer tailored for Generic Knobs controller script, to randomize remote control values in currently selected device, there are few modes for triggering new random values as well as manual seed selection. 4.0 and up required, virtual midi driver as well to send CC's and then reuse in controller script.

Change seed value to anything between 0-100% (including decimals) to generate a new set of CC values. Set size also affects seed results, it's like accessing different banks of presets ranging from size of 1 preset to 4590. Limiting the chance to certain value ranges can sometimes be quite effective. You can dynamically create new polysynth sounds and corresponding effects and get back to certain states as any seed value is it's own 'preset'.

CC randomizer tailored for Generic Knobs controller script, to randomize remote control values in currently selected device, there are few modes for triggering new random values as well as manual seed selection. 4.0 and up required, virtual midi driver as well to send CC's and then reuse in controller script.

as name suggest, it just hard-clips input at 0dB by default. also have lowpass filter

instead of Mid/Side clipper that I made before, this one ensures that output will be clipping at 0db by default.

Controlador Midi para Korg MicroKorg

hi! i've just finished this small controller device for the Microkorg. It's incomplete (it lacks the midi CCs for the mod matrix) but i've tested it and it's quite usable... hope you guys like it!

zweimal?

Utility used to calculate ms according to entered bpm

BPM to ms calculator inside GRID

four voice grid note out, routing to a single instrument

Based on an idea by TÂCHES

I made a preset based on sample slicing, it quantises the values so assuming that the loop has a sensible division, everything will be in sync. and instead of the randomizer has bars where you can draw the steps... Drawing a random pattern is almost as fast as pressing a button, and there is no need for the lock buttons.

Introducing RAND-O-TRON-3000, the next logical progression to my RHYTHMIQUE preset. Now you can take the effort out of picking which sample snippets you'd like to be on each step of your dope ass motherfucking drum beat. 1. Simply load a sample into it, hit the RANDOMISE button. 2. Lock any of the steps you like with the corresponding LOCK button. 3. RANDOMISE again. 4. Lock any steps you like again... And so forth... P.s. You can also turn steps off in the same way as in RHYTHMIQUE

Fun little panning utility that lets you pan further than hard left or right (with optional gain compensation for when hard pan occurs to keep the perceived level constant)

This is a 16 step sample reararranger used to create Microhouse drum patterns from any sample you load into it. Using the individual and group step selector knobs, you can choose what snippet of the sample to assign to each step or step group (downbeat kick, offbeat hat, clap and the 4 weak beats). You can turn steps on or off with the buttons and minimally affect the decay of the hits. Works BEST with the Groove settings on for that rolling Microhousey vibe.

Really proud of this unusual drum sampler for the Grid! Great for making Villalobos style drum patterns 🙂

Handy, smooth Stereo Inverter with neat macros. Controllable with LFO or Manually. //Moonkin https://open.spotify.com/artist/0MWWi8RkzmDQFN3Fb5phlO?si=vefIVD6MTNutfQwF0C0mxA

Handy, smooth Stereo Inverter with neat macros. Controllable with LFO or Manually.

A handy little device for creating tighter drum rhythms out of loops. Set INPUT to an appropriate level for the Envelope Follower to pick up the transients and then dial in ATTACK and DECAY to taste. The LOW CUT knob will remove unwanted low frequencies, helpful for making top loops out of any loop. The CLAP and HAT knobs let through notes with longer delay on every other downbeat and every off beat respectively to add some longer hits even if you have the whole loops sounding tight as hell. SPACE adds a small amount of reverb to glue it all together a little.

Here's a nifty little tool that will help you create those tight, clicky microhouse/ Rominimal drum patterns a la Ricardo Villalobos/Rhadoo/Petre Inspirescu/Raresh out of any drum loop you slap it on.

A simple, minimal Haas effect device. Delay can be automated and set between 3, 6, 9 and 10-40 ms. //Moonkin https://open.spotify.com/artist/0MWWi8RkzmDQFN3Fb5phlO?si=eahY6-lvQ-aq7JuqmrYZFg

A simple, minimal Haas effect device. Delay can be automated and set between 3, 6, 9 and 10-40 ms. //Moonkin 😄

7D MPE modulator designed for Sensel Morph (but it should work with other MPE instruments). Apart from standard MPE modulators it has 3 additional modulators for capturing acceleration levels of pressure, timbre and pitch. These values will be bigger the faster you slide or press/release keys. All of them are bipolar, to allow to react to both directions different ways. You can also use additional 0/1 modulator indicating fast key release. This preset is intended to be used as copy-paste template or as a starting point for making MPE enabled devices.

7D MPE modulator designed for Sensel Morph, but it should work with other MPE instruments. Apart from standard MPE modulators it has three additional modulators for capturing acceleration levels of pressure, timbre and pitch. These values will be bigger the faster you slide or press/release keys. All of them are bipolar, to allow to react to both directions different ways. This preset is intended to be used as copy-paste template.

16 step sequencer + acid bass. You need to load the chain on an instrument track and feed it a note for the effect to work. By default quantises the notes to a Phrygian scale.

303-style acidic step sequencer patch with accent, note length and glide + various other fun controls.

Vinyl Noise to drop onto any track with controls go mix incoming audio signal with noise. Amount blends the "record noise" with the pops and crackles. Audio adjusts the level of the incoming audio signal, and Noise adjusts the level of the noise.

It sounds pretty good, imo. Has a few controls two blend the two noises, and the volume of the incoming audio and the noise as a whole (although there is simply a Mix knob on the FX Grid anyway 👀)

Two select 4 modulators with one input macro knob. Switches between 9 distinct modulation states (including disabled).

A combination of modulators that selects between 9 different modulation states via a single input knob (with no interpolation)

Mid Side Container with Inf Gain Pots / LPF / HPF