Steep Pro-Q Style high or low pass filter that compensates for the otherwise relatively gentle roll off of the Sallen-Key filter.

Steep 96db/oct Pro-Q Style high or low pass filter that compensates for the otherwise relatively gentle roll off of the Sallen-Key filter.

Filter that morphs between high-pass, low-pass and notch. Morphing can be done automatically or manually.

EQ+ auto-morphing between HP, notch and LP. I reckon most of you already have your own presets for this but thought I'd share anyway just in case someone might have use for it. 2nd preset is a stereo-split version with the morphing filter on both channels at different rates.

Stereo separated morphing filters.

EQ+ auto-morphing between HP, notch and LP. I reckon most of you already have your own presets for this but thought I'd share anyway just in case someone might have use for it. 2nd preset is a stereo-split version with the morphing filter on both channels at different rates.

Based off the "Shepards Tone," and audio illusion of ever rising tone. Interval has to be tuned correctly to make the various peak filters line up. Fading controls how long the fade-in and fade-out time is for each tone.

An endlessly rising series of peak filters. They fade in and out so that, when going slow, it's hard to hear any beginning or end. The effect is that the tone seems to rise forever,

8-band Filter with phase driven modulation

An auto-filter (should morph between filter types smoothly)

A morphable filter preset made in Bitwig 4.0.1

King Tubby style bandpass filter. Great at the end of a reverb chain!

I'm still on Bitwig 2.8, so I can't check it out right now. But I'm super interested in how you did it. This is a very simple setup I use to get hard cuts between different frequencies.

Kinda like the Resonator Bank, but accepts MIDI for where to resonate. You can set the polyphony and the note source in the inspector. Add more bands if you want.

Kinda like the Resonator Bank, but accepts MIDI for where to resonate. You can set the polyphony and the note source in the inspector. Add more bands if you want.

SVF, based on EQ+ and some math behind, so the filter interpolation works seamlessly.

Use this quite often to fade out drums, it's just a combination of high pass + low pass + verb