This allows you to crush audio with distortion without losing the original dynamics. Add the effects you want in the Add Effects Here container and use the macros to fine tune. Increase Sensitivity if the incoming signal is too quiet. If things are getting gated too hard you can turn down the Env Blend. Final gain is after the envelope but before the Limiter.

This allows you to add heavy distortion while maintaining the original dynamics. Inspired by MPhatik.

This allows you to crush audio with distortion without losing the original dynamics. Add the effects you want in the Add Effects Here container and use the macros to fine tune. Increase Sensitivity if the incoming signal is too quiet. If things are getting gated too hard you can turn down the Env Blend. Final gain is after the envelope but before the Limiter.

This allows you to add heavy distortion while maintaining the original dynamics. Inspired by MPhatik.

I noticed that Fuzzplus3 (by Audio Damage) makes things mono, so I created a stereo version.

I noticed that Fuzzplus3 by AudioDamage makes things mono, so I created a stereo version with macros. In case you don't know, all of their old plugins are free now including this one.

Generate random percussion sounds and then save the ones you like as samples. The Simpler button mutes one of the oscillators for a less busy sound.

This is my first major grid creation. The idea is to create a lot of random percussive hits and then pick out just the ones you like. Generate random percussion sounds and then save the ones you like as samples. The Simpler button mutes one of the oscillators for a less busy sound.

The first Steps module controls pitch.

Weird preset for U-he Triple Cheese

FX Selector that mutes the output of each layer when it is not in use. This gets rid of delay and reverb tails that would normally create clutter. Just put whatever devices you want in between the two gates of each layer.

This is an FX selector that mutes each layer when it is not in use to cut off delay and reverb tails.