Four two bar audio loopers in parallel. Start playing then enable one of the loop buttons to start looping. Reduce the number of beats to change loop rhythms (note once reduced. By default if playback is ongoing looping will start/end locked to the next bar, disable this or change to quarter notes quantise on the third preset page.

A two bar audio looper with 4 loops in parallel, surprisingly fun to mess around with, can morph very simple stuff into things that can evolve over time

A template to drop in any sample, enable looping and use the remote controls to affect the grain generation, window size and overall adsr. The release of chords is a little funky if not all notes are released at the same time, might be best to use a multinote for chords and only supply mono note input. Note that bitwig support told me this is basically abusing the midi standard, so expect that the audio engine to sometimes break on v4.3.10 at least, lower rate/density seems to break less.

Updated granular sampler template to work around bitwig simultaneous voice behaviour

Uses arp + note length to generate grains, as well as humanize, randomize and random modulators to spread grains in different ways. Drop in your own sample, enable looping and tweak the start playhead position Use the ADHSR in the Sampler to control aspects of the grain window shape. The 'Main ADSR' modulator is mainly for controlling monophonic attack/decay of the sound.

Template for the sampler that has note fx set up to act like a granular synth. Drop in your own sample and use the controls to affect the grain generation

Splits incoming notes into three layers - the lowest note, the highest note and everything else in-between. Change out the instruments in each layer to whatever you want.

This preset splits the incoming notes into the lowest note, the highest note and the remainder in-between. The instrument presets on each of the layers can be replaced with whatever sounds you want

Pitch drifting, plucky lead. Use Instability control to reduce the pitch drift.

Pitch drifting lead

Based on the Prophet-5 patch used throughout Radiohead's Everything In Its Right Place To mimic double tracking the patch uses two instances of polysynth hard panned, and the humanise note fx to randomise note timing Use 'Original pitch' button on second preset page to tune closer to the original track.

Key sound trying to mimic the main part from Radiohead's Everything In Its Right Place. I think it sounds pretty close, but would be closer if the envelopes in polysynth were a little bit snappier. Open for suggestions on how to improve it though!

Samples of close miced percussion objects layed in a granular style. Controls for: - Changing the number of repetitions and the delay between repetitions - Randomise repetitions on each new note - Relax the inital timing - Probability of layers playing (first layer always plays) - HPF, compression attack and stereo width - Second preset page has a quantised tuning knob for the glass sound (tuned to G by default). Inspired by https://www.youtube.com/watch?v=SaU95Z2zUzw

Inspired by https://www.youtube.com/watch?v=SaU95Z2zUzw I sampled a few household objects create an acoustic percussion generator

Converts polyphonic pressure/aftertouch to polyphonic Timbre. Maximum 15 polyphony Note: Only for use with third party VSTs that respond to Timbre via multi-channel CC74. Bitwig devices will not respond to Timbre generated this way. Remember to set MPE toggle in inspector for the VST you want to receive MPE Timbre. Thanks to x.iso on the Bitwig Discord for this suggestion.

Updated with unused MIDI CCs removed

Round robin of a tapped Bodum coffee glass. Mute Hit button switches to second set of samples tapped using finger pad.

Multi-sampled glass tap using new 4.1 ricochet and quantise note fx